The "Great Wind Hall Fort" As An Example Of Zhang Daqian's Collection And Identification

This paper mainly Chang dai-chien in1955published "Da Feng tang ming ji" asan example to discuss Chang’s collection, in the quality and scope of its collectionsare the most important representatives. on one hand, Chang collections publishedduring his lifetime exhibition sets and collections, as well as domestic andinternational public and private collections seal its printed collections and collectorsto sort out, on the other hand has collected relevant parties diaries, correspondence,memoirs, etc. first-hand literature, as far as possible to restore the formation processand the collection of Chang dai-chien. In this paper, as a clue, Chang dai-chienroughly outlook. Through the " Da Feng tang ming ji " Chang collection systemsresearch and investigation, and further explore the Chinese painting everyone’smotives and ideas and collectors, as well as the impact of these collections to his artand life in the20th century, with a view of Chang dai-chien and and collectors have amore comprehensive and objective understanding. This set was created to explore thecollection process, the paper particularly contemplation interaction between Chang ’screation and collection, focusing on neglected in previous research funding andnetworking factors in the establishment of the collection." Da Feng tang ming ji " ofregression and gone, but also its academic value and social impact of the continuousfermentation process, the paper finally traced the history of this collection set echoedin American studies in the history of Chinese painting.