Study On Morphology And Adornment Of Pseudo-classic Architectures In Chongqing

In modern times, the architectural style of showing a pattern of Chongqing, twoaspects of development. Side in an international architectural culture shock,emphasizing the times and reflect the economic prosperity of modern architecture, oneside is emphasized ideological content reflects national culture and highlight thearchitectural features of the area’s traditional architectural heritage. In both demanddriven, antique building this new architectural form "Cush like this," the operation willbe born. It meets the needs of the modern reality of a large space, versatility andcomposite structures, but also to meet people think of the old traditional feelings ofnostalgia. The author believes that the combination of traditional architecture in thespirit of the nation, the nation’s cultural sedimentation, people look back through history,nostalgia history, able to truly understand reality more clearly planning for the future.In this paper, Chongqing modern houses on stilts in the form of antique building asthe main object of study. Through field research, comparative research methods andanalysis, drawing, first from the perspective of the development of the five convergenceof geography, history, culture, economy, and modern cities in the region to form thebackground of antique buildings are analyzed and demonstrated. Raised two questionsappear in antique architectural development, Pseudo-classic Architectures designproblems that lack of cultural connotation of modern elements and uncoordinatedproblems caused antique style.In the second part, first expounded the concept of antique.From the geographical background, historical background, cultural background,economic effects, as well as the modern city to discuss the background of the forming ofthe assimilation of Chongqing modern antique building development these five aspects,and puts forward the uncoordinated problem of antique buildings in the design of thelack of cultural connotation and modern elements in architecture. Through the analysisof the above problems, the author puts forward two suggestions. Pseudo-classic Architectures in the form of follow tradition, there are innovations.Not only diverse architectural layout, which also constitutes a form showing a richgesture. Integrated use of modern materials with traditional wood, providing designerswith a broad creative space, so that the span of the plane antique building, extension andeaves height of the space with more possible.As an important part of architectural construction, the paper discusses threearchitectural significance of the building. The author of the analysis part of decorativeantique architectural forms that antique decor is a variety of styles hybridity, fordecorative purposes in order to decorate and design. In addition, these carvings aremostly mechanized prefabricated, so not only shorten the production period,post-maintenance and easy.This article discusses the various integrated to illustrate modern antique buildingwith traditional architecture has been completely changed, would like to recommendthat people in the aesthetic evaluation of the antique building, do not blindly copy themode of traditional aesthetic criteria, or to take into account the perspective ofdevelopment to look modern antique buildings.