Aesthetics Of Japanese Film Death

Death as a part of life and is always ready to measure the length of life,it makesphilosophy, literature, art and religion and so on are discussed about the meaning of theexistence and the nothingness of death and life of the eternal. It is regarded as part oflife. At the same time, it is always ready to measure the length of life. Like a polygonmirror, movie reflects various scenes to the world as a kind of art including everything,which is filled with the exquisitely audio-visual features. The convergence of theelements of death not only initiates the unique perspective of cinematics, but also drivesthe improvement of aesthetic value of the film. Japanese directors satisfy the ultimateaspiration of beauty through the conscious creation of art. That is to say, the beauty ofdeath, which converts the fear of death to endow the expression of poetic quality orflavour, induces the highest formation of the appreciation of beauty and guides peopleback to the spiritual homeland. It also realizes the significance of the existence of lifeand reflects the weight of soma and spirit.This treatise excavates the aesthetic value of movie and classifies the fornation andmeaning in terms of the definition and category of death. It selects part of therepresentative of the Japanese films and television works with the theme and deathimage for a large proportion. This type of film, which is a special case to analyse, isconsidered as the main research through the study of the integration of death imagesappeared to the works.According to the basic functions of death images in the films, it can be classified asfollow: firstly, the function of narrative structure, the implication of the filmic symboland the aesthetic function are used to be the importance of this point. Especially, theimplication and the appreciation of the beauty are treated as the fundation of aestheticanalysis of death images in the films. Moreover they are looked on as the importantaspects that explore the conscious death images of Japanese directors and the formalcreation of vision sense and auditory sense to reveal the death arised the comparison ofthe aesthetic of perfect and flawless with what is seen and heard in the films.Combining with the distinctive and bizarre death culture of Japan Yamato to be theanalysis of background, we may draw the conclusion that what the Japanese directorsreveal in the nationality and sense of death and the simulation of death images by use ofdisparate forms of aesthetic analysis provides a rational analysis of structure and the study of aesthetic death in the movie to find out the aesthetic Japanese death.