Influence Of Subjective Factors On Oil Painting Creation

Kashgar, as an important part of the ancient silk road, has a different from other partsof the natural landscape, it has always been to show in which people sing. In addition, inthe process of the spread of the eastern and western culture in xinjiang assemble avariety of culture of east and west, and this kind of multicultural features into their owncultural system, formed the unique charm of the regional cultural features in the subtleinfluence of regional culture and related cultural factors, the xinjiang oil painting to acertain extent, also formed its own unique, this article from the xinjiang kashgar, theunique local customs and show the natural landscape and the kashgar region of cultureand related factors on the oil painting creation and so on several aspects, the influence ofsubjective factors on the concrete analysis of oil painting oil painting direct or potentialimpact. Oil painting is the painter of emotional expression, I of the sun through thekashgar as a theme for the oil painting creation, creation to convey the painter wasabsorbed by the subjective emotion, from the main body of the spirit of thepsychological view, or from the work content, the form of images, artistic language,subjective factor has a very important role in oil painting creation. Work whether canimpress people, depends on whether painter in depicting objects into their ownsubjective feelings. This paper discusses the in painting creation process, whether in theartists to choose what kind of subject matter as painting content, or in the colorexpressive, the modelling of affective communication, material medium form ofexpression, and so on factors, or painting language of emotion, are consciously orunconsciously by his aesthetic ideal, aesthetic temperament and interest at the mercy ofthe subjective factors, such as emotional subtle infiltration in the whole process ofcreation. A good work of art is not only full of rational connotation of the image, andcontains extremely rich emotional factors, if have no emotion to inject in the works, sohis works are not infected with the viewer. Rodin more bluntly pointed out: art isemotional.