The Analyses Of The Chinese Classical Remake Movie Under The Films Reception Aesthetics

Nowadays the enthusiasm of remake, as a new leading force, has became anunique landscape all over the world. Either Hollywood or domestic films are eager toremake. The enthusiasm of transnational remake is becoming strong, including theplays at here and abroad, the televisions and movies of the classical. Even though theremake is popular and eye-catching, the questioning and criticism from the audiencenever stopped. The future of remake looks gloomy.This paper is based on remake movie and the appearance of remake movie inrecent years. Under the current remake environment, the paper analysis the remakemovie with the theory of reception aesthetics and audience acceptance bydeconstructing remake movie and studying the example which follows the principleof reception aesthetics. From the above points, the paper attempts to discuss betterways that are beneficial Chinese classical remake movie.First, the paper summarizes the motivation and results of the Chinese classicalremake movie, meanwhile, analysis the reception aesthetics distinguish between theChinese classical movie and original movie from four facets include aeceptionsaesthetic, creative environment, and art element. And also this paper brieflyintroduces the meaning and situations of Chinese classical remake movie.Moreover, comparing the three editions of Enchanting Shadow from history,background, motivation and so on, the paper shows how the classical remake movieare influenced by reception aesthetics.In the end, based on above points can take classical remake movie as acontemporary interpretation, which is one of important ways to inherit classics.Therefore, on the premise of following the classics, Chinese classical remake movieshould be produced under the perspective of reception aesthetics, accordance withaudience’s tastes and creation with aesthetic needs. All these points will provideconstructive reference for creating more classical remake movie in the future.