A Study On The Narrative Strategy Of Dayyan Eng’s Movie

As a new movie’s standard-bearer of China and a movie director with the internationalinfluence,Dayyan Eng recorded the hundred years’ social changes of China in his films,usinghis own unique and distinct narrative style. In his more than10years of creation of auteurfilm has also been initiated.His perseverance and innovation has gained the worldwide honorand acclaim for the Chinese-language innovation has gained the worldwide honor and acclaimfor the Chinese-language films.In recent years, the film narrative angle of view in the "popular"state, the domestic filmtheory and film director on the study of narrative perspective of contempt, resulting indomestic film creation in theory to guide the practical link in the new generationfilmmakers are not accurate grasp of the narrative point of view,this makes a lot of domesticfilm narrative has no style and unique.Proceeding with the perspective of Narratology and combining the application of theapplication of the relative theory of the film narration, the film linguistics and so on.Thenarrative theme, the narrative construction,the narrative audio-visual language and thenarrative strategies of these four aspects in the films of Dayyan Eng were systematicallyhackled and analyzed, as well as analyzed concretely with his films in this thesis, whichelaborated how he applied the unique and marvelous narrative technique to tell the story in hismovie. Based on this,the unique narrative style of Dayyan Eng ’s films is summarized toprovide a vivid example for him and his film studies from the viewpoint of narratology.