A Study Of Youth Film Image & Cultural Landscape In The New Period Chinese Film

Film is a special narrative form of a kind of society, history and culture. As the mass media, the screen image and narrative in representation the social reality and cultural / political change. Youth culture is an important part in cultural studies, since early twentieth Century is an independent social identity "found".The youth began to become increasingly visible social, cultural force and important research object. At the same time, the essential characteristics of youth culture is often the most can reflect the social changes. The screen image of youth and screen the youth culture landscape is formed under the specific social,historical and cultural context only reproduced the status of youth in different periods, reflect the changes of the youth culture, and also participated in the reconstruction of youth discourse and society as a whole.In recent years, with a number of youth films aggressively and extensive influence, "Youth" become a hot word of contemporary Chinese culture issues. Not long ago, however, a scholar once pointed out: in the history of Chinese film, the “youth” is absent, there is no formation as “youth film”, and in the official discourse of Chinese film, never only classified into the category of main theme films of Children’s film, but no youth film formulation. In fact, in the history of Chinese film, there are never lack of the youth screen image. Therefore,the absent of youth is actually from the lack of the youth culture in the perspective of film criticism discourse, resulting as the youth "absent presence". This view is missing, and caused the criticism of the main text hard to find in the youth. So the purpose of this paper is in the Chinese film rediscovered the disappearance of youth, attempted a rereading to youth culture perspective since the new period of Chinese film history.The first part as introduction, through the image of contemporary mainland movie young "absent presence" phenomenon, the mainland movie criticism text of youth discourse interpretation and lack of youth culture research of important practical significance to define the research value of, the object and method of research and the theoretical tools and previous work to sort out and summarize the. Main body consists of four parts, respectively is: the first chapter, "youth image of the evolution and the youth culture of a new form of 1979-1989)",mainly inspects before the new period Chinese film in the image of youth writing characteristics, and at the beginning of the reform and opening up the mainland movie gradually began to show for youth culture landscape elements, and from the perspective of the study of contemporary Chinese youth ’the problem of youth "and" youth culture "study this period different two tell young subject and writing for the youth of the way;The second chapter is "marginal youth ’image and cruel youth story’(1990-2000)", to a "new era" of China from the angle of research in the 1990 s more prominent in Chinese film the edge of the youth image, and youth director itself embodies the youth culture. At the same time, alone in this period has representative adolescence growing up narrative appears to carry on the discussion.The third chapter is the new century youth culture and youth film(2001-2010),this chapter emphasizes the since the beginning of the new century the transformation of the Chinese youth culture, youth culture through with the combination of technological revolution and consumerism, showing a penetration into the style of the mainstream culture of the whole society,reflecting the performance for "the end of youth" of and 20 th century youth culture distinction and when in the films during the embodiment of. At the same time, is also discussed in the post WTO era background, the new generation of filmmakers tried to construct a small cost of youth films to add to the era of box office market adventurous process;The fourth chapter is "fusion period of youth and youth disappeared on"(2010so far) ", mainly on the mainland movie integration of Hong Kong and Taiwan movie capital and creative experience in the construction of local youth type film were investigated, and the ideology of consumerism and the background of the Internet era of Chinese youth in the cultural landscape after sub culture interpretation, to respond in the youth match consumer code in the context of the increasingly popular" youth of the hypothesis of the vanishing point of view.This paper argues that, for young screen image and cultural landscape research from the perspective of a more young subject, combined with a specific period of history, cultural context, status of youth, youth culture characteristic and the screen performance, and polysemy of youth culture, rheological characteristics. Therefore, "found that youth is not only from the perspective of a new observation film, is not just simply heavy now appeared on the screen of the youth image, and should be regarded as a reflection of the film theory.