The Chinese Freehand Brushwork Spirit Of "Sketch" Painting

Oil painting as a “foreign culture”, by its “birth” spread to another “recipient”, therecipients tend to with the eye of a tradition of “review”, for example, when theimpressionist paintings originally introduced to our country, in its lack of a thoroughunderstanding of, so the people first impression of western oil painting is “far seewestern painting, almost see ghost to fight”. How we should according to their ownrequirements to modify oil painting the art of “born” to deal with? Nothing but there aretwo ways, one is to remove the “dregs” of the western oil painting, take its “essence”,draw lessons from and apply to the Chinese traditional painting; Second, on the basis ofthe retained oil painting essence into the “essence” of the traditional culture of ourcountry, the formation of “localization” oil painting has its own characteristics. Since the“eighth five-year trendy”, contemporary Chinese YouHuaJie constantly emerging outmany different personalities painter, they create many different language, style andpattern of oil painting. In the western realism to retreat to the edge, the modern abstractart gradually occupy the mainstream era, Chinese artists were rethinking western art,refocus on the traditional art and culture of our country. People can not help but ask: theart of Chinese oil painters ideal is what? Whether to need to carve out a with Chinesenational characteristics, accord with our country road to the art of mass aesthetic demand?If so, how do you use oil painting media to create a strong China era characteristics offine oil painting? Oil painters in contemporary China, in fact, when using this medium ofwestern painting creation, not just simply to organize the picture of the use of westernpainting language, at the same time, it will be the “free” factors in the traditional Chinesepainting, in different ways in their images into or grafting, perhaps after a “transplant”between Chinese and western culture, the contemporary Chinese oil painting frompainting techniques to language form will ascend to a new level, open up gives a paintingwith Chinese national culture and local civilization. This topic to LengJun and others“sketch” painting as the main case study, from the cultural character of Chinesetraditional painting and freehand brushwork spirit embodied in painting, combined withtheir own creative inspiration, to explore contemporary Chinese oil painting to achievethe necessary way to “nationalization”, and the spirit of freehand brushwork in Chinesepainting creation in the future development prospect.