Modern Transformation Of Chinese Painting Fu Baoshi Exploration And Research

Fu Baoshi paintings artistic skills and art history research intensive surf in Chinese art circles, is worthy of modern Chinese art history and practice of the pioneer who served an important role in the process of transformation in modern Chinese art. Panting from the two levels involved in the transfor-mation of modern Chinese painting among. The first level is the ideological upheaval under the traditi-onal stick, in the context of internal and external problems, Fu Baoshi intellectual history with a strong sense of purpose and a strong personal interest in painting history, general history and theory of paint-ing and finishing research topics proposed the importance of the development of Chinese painting natio-nality, hands stick to the core meaning of Chinese painting. The second level is a new era in the backg-round contingency innovation, Fu Baoshi with professional quality and realistic attitude to apply their knowledge to find a new interpretation of the morphology of the mid-20th century, under the guidance of a strong ideological traditional art of Chinese painting, Chinese painting broke Art difficulties in the new Chinese historical background of development. These two are deeply involved in the Chinese Fu Baoshi painting modernization process of transformation, but also determines an important role in the development process as Fu Baoshi Painting modernization in China. Taking the next new Chinese hist-orical background image reconstruction Fu entry point to explore the landscape transformation,analyzed the relationship between Fu Baoshi "thought " and " ink " under different historical background, reveal-ing the individual as an intellectual tradition and modernity Fu Baoshi, and change the face of contrad-ictory inheritance, is a reasonable way to resolve the artistic harmony of body function values and social contradictions, that is, through the new ink brushwork and a new mood alteration typical of the style of Chinese landscape painting, in order to enrich aesthetic connotation of Chinese landscape paint-ing, and thus establish a new image of the new China, prompting the Chinese landscape painting from real positive position to participate in the modern transformation of traditional Chinese painting.