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Study On Zhuang Folklore’s Influence On Contemporary Zhuang Literature

Posted on:2015-12-30Degree:MasterType:Thesis
Country:ChinaCandidate:S G ZhouFull Text:PDF
GTID:2285330434455992Subject:Chinese Modern and Contemporary Literature
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The Zhuang Folklore is of great influence to the contemporaryZhuang literature, it is the sources of the material of the contemporaryzhuang literature and cultural identity,such as Buluotuo, comroe armorand Pangu myth have been emerged in the writer`s works, and becomethe symbol of Zhuang nationality spirit. Folklore is the germinal pointof the Zhuang contemporary literature, in the nineteen fifties andsixties, it came to the collection and arrangement of the Zhuang folklegend, and on that basis it carried on rearrangement and recreation,"Baiyue state" praises the reconstruction of the folk culture, and the "88new reflection" argued that we should face the influence of folklore onthe writers literature with an open consciousness. The two trends isrelocated to the folk culture, and in-depth thinking of writer identity,they have been affected the development and trend of contemporaryZhuang literature to a certain degree. Throughout the course of thedevelopment of contemporary Zhuang literature, we can find thatbetween the Zhuang contemporary literature and the folk legends,"noble" is a natural fit point of them. The Zhuang Folklore comes froma awe for nature, manifested as pain into pleasure, with a "strong"characteristics, and often associated with the moral nature and rationalbasis. The Noble lineage Zhuang folk legend is inspired by hard naturalgeographical environment, it is not only the social internal requirementof folklore, but also entrusted with the pursuit of the Zhuang people`sfighting spirit. The Zhuang folk legend can be said as the spiritual andcultural characterization of the Zhuang people in a sense. In the modernrequirements of "Disenchantment", how to revalue the folklore valuehas become a problem which is worthy of consideration.The thesis is divided into six parts, the introduction part is mainlyfor the current literary theory of Zhuang folk legends, contemporaryZhuang literature study and the literature review, moreover, theresearch ideas and research methods are briefly discussed. The first chapter discusses and classification of the Zhuang folk legends, andanalyses that Zhuang folk tales have "lofty" characteristics, and thendescribes the development of the Zhuang contemporary literature,highlighting the associationits of zhuang contemporary literature andfolklore. Taking the folk legend as a germinal point,the second chaptersketches the emergence and development of contemporary Zhuangliterature, and then introduces the folklore elements with the works ofLuDi, Wei Qilin, using the "hero beauty field trial period" as thebreakthrough point, summing and generalizing the characteristics of thisperiod of Zhuang nationality writer literature. The third chapteranalysis the influence of “Baiyue realm"to the creation of Zhuang writerin this period. highlighting Zhuang writer literature with "noblequality" during this period from the national culture, national spirit"roots" and reconstruction. In the collision of the past and andnow,modern and national, through analysis of the "88new reflection" andthe literary clique army writers, The fourth chapter put forward a newunderstanding and positioning to the national identity, ethnic identity ofthe writer. The conclusion part characterization and summarized the thefolk legend and national spirit culture, proposing a rethinking andunderstanding of the folklore value in the modern civilization and theview of literature cultural context.
Keywords/Search Tags:zhuang nationality, folk tales, contemporary zhuangliterature, lofty, cultural representation
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