The Research Of Chinese Anti-japanese War Drama’s Excessive Entertainment

The drama on the war against Japan is a unique key type on China’s TV screens.As TV system reform, the leap development of the TV market and the rise ofconsumerism, the Anti-Japanese War drama’s text evolution experienced the “redclassic” films’ adaption, shaping cool rebellious civilian hero and mixing up martialarts,idol, romance, mystery and legend these elements which have nothing to do withthe war against Japan three stages.These dramas are inconsistent with history,which isirresponsibly "recreational consumption" to the Anti-Japanese War. They mislead themodern people that didn’t experience the war and has great negative effects on theoutput of domestic TV series and China’s national image.Combining related subjects like communication,sociology and audiencepsychology, we can learn that the entertaining cultural environment, the audiencerating determinism, hero worship psychology, censorship’s negligence and the literarytradition of consuming history are the deep-seated reasons that make this kind of TVseries become superabundant. Based on case analysis of some representative "Ridiculous Anti-Japanese War dramas" and comparative analysis of domestic wardramas and those produced by other countries involved of world war ii, I conclude thatthe modern warfare can never be spoofed and recreationally utilized. Film andtelevision management organization should take administrative and legal means,such asbanning broadcasting, banning shooting,TV series classification and perfecting thecensorship. Because of ‘Law of value’,television market’s spontaneity, blindness andrandomness need necessary state intervention.