Social Changes Under The Zhao Benshan’s Sketch Cultural Contemplation

Zhao benshan from 1990 first on the 2011 Gala Zhao benshan ended at Gala, Zhao Benshan Spring Festival Evening Pieces accompany people have gone through 21 years, in twenty years he has been ongoing concern in the community and constantly gives new meaning behind this phenomenon is the continuous injection and participation in various social forces, making Zhao phenomenon has become China nearly three decades of cultural transformation and social change in an important cultural phenomenon. In this paper, Zhao Benshan Spring Festival Evening Pieces works start by analysis and interpretation of the typical sketch of Zhao various periods, found hidden behind the work of social and cultural psychology, and try to find the ultimate source of this social psychological culture. The paper put into the context of social change Zhao works under, the main use of content analysis, literature study law Zhao Benshan Spring Festival Evening Pieces of each period to analyze and interpret, the paper is divided into four parts:The introduction reviews the research status quo around Zhao himself and his works, mainly from the works of the speech research, performance style, characters, narrative strategies and thematic and cultural phenomena in five aspects, summarizes these studies present the research results found in the present study does not take into Zhao works placed under the context of social change to reflect Zhao Benshan Spring Festival Evening Pieces cultural phenomenon, Zhao Benshan Spring Festival Evening Pieces of cultural review should also continue to explore the deep thinking and mining. While the integration of research resources presented in this paper after research methods and significance.The first chapter, debut the show:the rise of popular culture and rural subjects fit, this chapter analyzes are able to board the Spring Festival Evening Zhao Benshan’s main stage was based on the reality of the demands of regional culture, moreover farmers make up the image of Gala Blank, Gala, as embodied in a cultural and political force, providing a broad national imagination stage and venue for negotiations, it is an important place for the public to get Chinese imagination "cultural balance", so the only image on stage Zhao farmers possible. In the early 1990s, Zhao Benshan Spring Festival Evening Pieces "love", "I want a home" and be able to arouse enthusiastic reflects the essence behind at the time was based on the reform and opening up, people’s desire for gender families, a certain inner emotional release, The concept of "home" in the eighties after becoming prominent and important, which originated in the household contract led rural economic reform, and national planning system increasingly market-oriented reforms to break the city, which is derived from the old the disintegration of the economic system and the rise of new market ideology, so "home" sign and the household contract economic system are isomorphic, Zhao Benshan the "home" as a symbol of their ideology flagship operation successfully obtained audiences.The second chapter, the success of the summit:the reasonable control of the government, the market, the nation, this chapter analyzes the mid-1990’s Spring Festival Evening Pieces Zhao is a step by step on how to stage the show a firm foothold. Bring fruitful high-speed economic development in this period, people began to care about the consumer and enjoy spending, and the resulting sense of national pride, when changes in the social transition period in which that occurred, Zhao Benshan Spring Festival Evening Pieces in the mainstream ideology within the prescribed seize the moment people’s minds on the consumer’s identity and the desire for a strong national confidence and prosperity of the country up later. Content and themes in his works on the subject and take full advantage of the rural farmer image, brought together most of the country’s rural audience memory, creating the appearance of a common life experiences, to cover up the uneven development of the social conflicts and confrontation emerged, people in a relaxed comedy jokes naturally identify with his work.The third chapter, sadly curtain call:the commercial era of cultural criticism, this chapter analyzes the reasons for those changes, and Zhao Zhao has comedy actor curtain behind the successful transformation from a two-person show prominent businessmen after the Spring Festival Evening Pieces. In the latter part of the sketch to physical defects in the bottom of society groups to imitate, fate or conscious individual life characters Body and figures did not show a close association, mostly still exists as a comedy jokes. Stupid sick and crippled body resulting in Zhao benshan is not in this guide the public’s sympathy and concern, but is get their own sense of superiority from these incomplete and clumsy, and furthermore, the works often mere earthly people’s livelihood piled with jokes, no previous reflection of reality wit and wisdom of entertainment, follow the "entertainment first" principle, the entertainment has become a "stupid music", thus losing the existence of the state of a clear understanding of self, loss of dialogue with reality ability, and have lost on secular life care. Social transformation is also essential quality of the work done in Zhao continuous landslide, while leading to the formation of different classes of people is difficult to resonate on the same thing, people no longer through the consumption of a "common past" to imaginatively digestion contemporary living world differentiation and segmentation, which is the root cause of Zhao Benshan Spring Festival Evening Pieces of the curtain call.Innovative significance of this paper lies in the Chinese social and cultural psychology noticed changes in the situation analysis of Zhao Benshan Spring Festival Evening Pieces go in pursuit of the root causes and get criticism, Zhao Benshan Spring Festival Evening Pieces discover how its close contact with the social reality. Bottlenecks encountered in a variety of cultural products on promotion today, give full consideration to the social trends and cultural psychology, trying to find factors that can cause or attempt to create a universal emotional resonance, is to get more public attention to the holy grail.