Aesthetics Research In Giuseppe Tornatore’s Film

Italian director Giuseppe Tornatore film-making since 1986, in three decades of writing career he insisted on using video to prove his worldview and values. He inherited outstanding creative traditional Italian realism, such as the interpretation of the era of large angle of view by slight, such as movie and very plain nostalgia, but he also another way of speaking of a grave social problem. Giuseppe Tornatore willing to control their emotions in the audience, sometimes in a rather sad way to deal with the country’s historical and artistic heritage. His unique style of film-making worth exploring.The writer tried on the basis of previous studies seriously induction Giuseppe Tornatore film’s aesthetic style, and consisted of four parts are considered. Theopening chapter is to study the object, purpose and significance, the paper describes the status QUO and innovation carried out. The second chapter is about the president of research topics and art directed dig conducted to analyze the regional selection and on the fate of the exploration and performance aspects. The third chapter is the study of the director and artistic aesthetic characteristics desired for aesthetic characteristics of the study is to review the characteristics and tragic realism conducted. Analysis of the director’s artistic ideal is discussed from a rational and emotional fit and analyze complex two aspects of human nature. The fourth chapter, the author of the point of view of the director Federico Fellini’s inheritance and development director affirmed by inheriting the advantages of the other directors to constantly improve themselves and to form their own inimitable style.