The Embodiment Of Classical Artistic Figures Which Originate From The<Book Of Songs> In Chinese Bird-and-Flower Paintings In The Song Dynasty

In the pre-Qin period poems sylloge-<Book of Songs>,the method which is called "BIXING" was widely used to express personal emotions in poems on natural scene, that is:"narrating tales through describing natural scenes"," express emotions through describing scenery","planting intentions in describing concrete objects". The three expressing methods which originated in "BIXING" have some influence on the Two Song Dynasties Chinese Bird-and-Flower Paintings and literary paintings to some extent, which can be seen from creations and works at that time. For the consideration of that influence,I conclude this viewpoint:The artistic conceptions depicted by birds-beasts-vegetation literature of< Book of Songs> about the nature scene provides the fertile soil which breeds the literati and artists to feel the lonely graceful beauty hidden in the nature scene in an aesthetic attitude in the Song Dynasty.Thus, the nature realm of "neglecting ego and nature" and "unity of ego and nature" came into being existence. The nature realm of "neglecting ego and nature" and "unity of ego and nature" was reflected in the Song Dynasty Chinese Bird-and-Flower paintings and literary paintings as a goal of dissimilar in morphology but consistent in spirit mood, and the realm initiated the pursuit to Ink Painting by literary painters in the Song Dynasty. In this paper, I will take the works of literary painters and the discusses and comments to demonstrate this viewpoint. The second viewpoint is that these three methods,"narrating tales through describing natural scenes"," express emotions through describing scenery","planting intentions in describing concrete objects", triggered the perception on imago of the flourishing Chinese Bird-and-Flower paintings in the royal style in Song Dynasty. Painters were under the guidance of meticulous semblance and riches and honor to take meticulous observation and painting in details and vivid accurate sketching and realistic paintings, and they expressed the neutralize of beauty from the combination of appearance and spirit through intonating and painting the morphology and emotions of flowers and birds.At the end of this paper, there comes to a new viewpoint:Those numerous art figures inflected in< Book of Songs> and those depiction in the verificine of ancient literature might be able to inspire the choice of themes of the Two Song Dynasties Chinese Bird-and-Flower Paintings, and the combination of those images could be able to be grafted into the culture connotation it conveyed. This paper illustrates the ancient documents study and investigation on the artistic features and images of< Book of Songs>, which have influence on the way of perception of Chinese Bird-and-Flower painters in Song Dynasty, to confirm the viewpoint that the artistic images originated from the spirit emotions of artists and their works.If there are some viewpoints and methods needed to be deliberated or probed or rectified in the process of proposition, argument, illustration, premise and summary of this paper, I wish relevant readers and experts and scholars would not spare their instructions.