The macroscopic probing, micro probe is really in the "harmony" philosophy view of the universe a understand theway under the guidance of the macro grasp of the natural run road, on microscopic view the understanding of lifethe true state of everything. Performance in the Chinese painting field, is the creation of art is not only the objective reappearance see real objects, but depicts gives painter heart feelings spiritual landscape painter, is thesubjective world and the objective world unified state, is a kind of spiritual pursuit. Have the outstanding artists in ancient times, all with their own true love, devote themselves to the society and nature, with their own uniqueexperience and feeling, get a high artistic realm. In today’s Chinese landscape painting, Mr Jia Youfu is such afruitful and creative artist. He put the research and creation of Chinese traditional thought and the landscape of thecombination, the perception of nature based on the living experience, and vigorously explore the essence of traditional Chinese painting, to dig, stand in the height in the artistic creation of cultural philosophy, adhere to theoriginal mission, in the art of more than 50 years of painting experience, aesthetic style and language stylegradually formed a powerful wide, quiet of God, an unprecedented landscape painting, their works will be in the picture show images up to the vast and boundless universe realm and the spiritual level, reflects the social and the pulse of the times. He founded the "view of the landscape" have a clear sense of the times and prominent personality, develop a new schema Chinese landscape painting, has had the widespread world influence.In this paper, through analyzing the art characteristics of Mr. Jia Youfu and the style evolution, from severalaspects such as the screen icon and artistic exploration objective interpretation of Mr. Jia Youfu "view of the landscape" performance art in the spirit of the landscape, and points out the value and influence of art of Jia Youfu’s landscape paintings. |