The Theory Of The Yuan Dynasty Landscape Painting Of Freehand Brusbwork Spirit

Sharp contradictions in the Yuan dynasty led to a complex social environment. Han literati during this period are subject to discrimination, suppressed anguish of life, there is an urgent need to seek spiritual sustenance, and that most of them went into the mountains and always focussed on poetry and painting. Painting subjects and has changed compared to previous generations, emerged in the Song dynasty’s literati painting ideas for further development. In the drawing also changed the song on the importance of natural landscape itself, to the main expression of emotion become the mainstay of the literati in the Yuan dynasty painting, which is also part of the Yuan dynasty literati painting "Shang Yi" features. Freehand as a higher level of abstraction, it is in the Yuan dynasty "painting", "picturesque" driven by theories such as, "draw" into the "write" didn’t really become a reality. As the spirit of Chinese literati painting Freehand spirit from this era began to glitter, this spirit lies in people’s words and deeds, a brush stroke, even in the colophons of the lines.Paper is cause of the style of the Yuan dynasty, the personal conduct of the literati in the Yuan dynasty and the Yuan Dynasty landscape painting itself and many other aspects to find, Freehand, to discover this hidden spirit. Article is devoted to that spirit of Freehand brushwork in the Yuan dynasty’s enlightenment on modern painting, which looks forward to attract the attention again of the spirit of modern Chinese painting Freehand.