The Relationship Between Mental State And Form Of Expression Of The Artist’s

Oil painting creation is initiated and the experience of interaction between naturalform and color, and re creation of the nature of Sino US form creation, created atthe same time also to convey to the audience the ICONS some kind of emotion andcreative thinking. The whole creation process is also a mental state and manifestationof the fusion process. So painting creation is in communication with nature, teacher,together with their experiences and feelings is to find the most real beauty, and withthe appropriate language of painting to express in his picture.ICONS of the psychological state and mental state of a work influence is very big.Is psychological change and mental state affect each other. A person’s psychologicalchanges directly affect the mental state, the discussion and developmentof production, to resolve mental state evolution, a potential link between the state ofmind and temperament type of painting the picture, will produce what kindof appearance under different mental states. How a person’s personal qualities directlyreflected in his works, through the study of the painting process, is not difficult todraw the conclusion has the academic significance, determines the image quality ofmental state. In the painting study and the practice of long-term process, the authorhas accumulated plenty of experience and information literature, also keep trying inhis creation, experience, and summed up, and then to explore the mental state to thepicture form. The relation between the mental state and the creation of thepainting but also for the creation of their own provides a powerful theoretical support,and exert its academic value in his creation practice.This paper explores the relationship between the artist andthe image manifestations of mental state. This paper is divided into four chapters, thefirst chapter is the analysis, induction and writing on the meaning of thistopic, and focus on the key point and the difficulty, the basic content of the paper. Thesecond chapter from the mental state have gradually began to analysis the evolutionand development of mental state, mental state of origin, forms the meaning and theforms of and the relationship between the mental state. The third chapter, from theperspective of the person’s temperament type profiling pictorial painting habits.Temperament is closely related with the painting painting habits, the habit of thepainter in the creative process to produce is divided into: habitual thinking and habitual way of observation, habitual patterns, composition tool, the habitual useof color are used. However our habits can promote the painter mature thought andtechniques. But the habit is a second nature is hindering ICONS and thinkingdevelopment and the change of the technique. Form and the change of the mentalstate and emotional factors and environmental factors on the face also can producecertain effect. The fourth chapter focuses on the mental state of how to decide thequality of the images. This chapter from the subject, body material, value orientationand artistic appeal their lists some instance is described as an artist, so as to reveal theperson’s mental state affect how the artist’s creation. Finally, combined with theirown encountered in the creation practice, further elaborated the related ideasand confusion in the creation, as well as by studying the mental outlook and therelationship between image quality and improve their artistic accomplishment, withthe improvement of the professional cognition, thus more favorable into his creation,gradually realize the real meaning of the painting, cultivate his mind, in combinedwith the practice of improve their ability of paintingcreation...