Chinese Classical Sleeve Dance Based On Contemporary Thinking

The concept of "Chinese classical sleeve dance" formed in the1980s, absorbing the opera dance "twirls work", and the development of sleeve dance has a history more than three thousand years. Based on the sleeve dance development of China as the foundation, and the horizontal integration of sleeve dance in the field of contemporary art development situation, with my own working practice as a particular perspective, this paper intends to explore the contemporary expression of Chinese classical sleeve dance. This paper involves:sleeve dance development course, sleeve dance works creation, as well as the key chapter of the sleeve dance language, conception, form of contemporary thinking and lead to further summary of sleeve dance aesthetic view and values.In this paper, the concept of Chinese classical sleeve dance stems from the opera dance twirls as part of sleeve dance system. I believe, to push the sleeve dance such an extremely nationality, embody the artistry, reveal the cultural forms in contemporary continue to develop, it must to inherit the consciousness of the view, innovation concept to treat. Heritage of development provides a solid foundation, innovation as the cultural heritage better.With Chinese classical sleeve dance culture development up to now, predecessors have done a lot of inheritance to create work and careful, then, as a contemporary classical dance, we should inherit ancestors footsteps, to explore the contemporary development and innovation of the sleeve dance, in order to realize the sleeve dance this traditional dance props is not out of the emotional expression of age and able to contemporary reality.