Exploration Of Pipa Accompaniment Art In Tanci From Music Aesthetic Point Of View

Suzhou storytelling, rap is an ancient folk art. In the long course of development,leaving a glorious footsteps. Because Suzhou storytelling is lute accompaniment asthe main instrument therefore lute accompaniment Suzhou storytelling in the historyof art also wrote an indelible mark. In Suzhou Pingtan among the most important luteaccompaniment of musical instruments. As a long history deeply rooted in theplucked string instrument, the lute with strong performance and rich type ofright-hand techniques. Moreover, the lute accompaniment of musical instruments as agenre, relying on its "sound point" and "sound line" created by intertwined with the"small, dense" beauty, Suzhou Pingtan singing adds a beautiful artistic brilliance. InSuzhou Pingtan, the lute for cooperation with singing, singing enriched for thepurpose of focusing on the development of the pick strings, twisted strings, playingpanels and other performances, accompaniment occasion some techniques notcommonly used, as well as "Let’s head","co-tail "" plus flower "," minus the word ","embedded when,"" give way "and other popular music genre categories of supportpolyphonic sound handling. Thus, Pingtan the lute accompaniment art, is relativelyindependent art has its character. From an aesthetic point of view to explore the art ofPingtan in lute accompaniment, for further study the characteristics of the Pingtanartistic beauty, but also a very necessary work.In recent years, with the impact of modern lifestyle and cultural forms, Suzhoustorytelling heritage also appeared in a state of crisis. Embodied as: an aging audience,a sharp decline in ticket sales storytelling arts, the actors switch to the increasingincidence of problems among people of all ages, such as lean actor in many aspects.In this situation, to revive the Suzhou storytelling to help this ancient folk art out ofthe woods again shine in the current cultural environment, it is necessary to Suzhoustorytelling texture performance practices of the various components to innovate andimprove. Premise of this work is the need for music technology phenomenon and itsaesthetic laws of nature were an integral part of the above and summarized. In view of the research literature on the art of singing in Suzhou storytelling already accumulateda large amount of research literature and the art of lute accompaniment is still aminority, but I learned to play the lute professional and is, therefore, writing thisdissertation, I chose "lute accompaniment explore storytelling in music aestheticsfrom the perspective of art," this issue. Expectations through the study of this subject,Suzhou storytelling lute accompaniment artistic development and improvement, amodest contribution to the force.The full text is divided into five parts to carry out. The first part is the researchbackground, significance, current research, research methods and content; second partis for the lute accompaniment traceability of art history, as well as storytelling concertfor lute accompaniment and sound in comparison with the terms of a unified study ofcomplementary; select the classic case of the third part of the lute accompaniment andsinging voices storytelling methods and techniques with the specific analysis; fourthpart is for the overall analysis of the lute accompaniment Suzhou storytelling art andaesthetic characteristics of generalization; fifth part is the conclusion of the full textsummarizing embracing.