Accompanimental Instrument Of Suzhou Tanci-pipa

Pipa, one of Chinese traditional nationality musical instruments, has the gloriousperformance history. The Pipa performance technique is rich, the timbre ischangeable, it has the vivid musical expressive force. The Song Yuan, along withthe acrobatics, drama art starting, the Pipa becomes the important accompanimentmusical instrument, also integrates the Pipa rich performance technique to theaccompaniment art in. However, since long ago as a result of the acrobatics art ownperformance characteristic, acrobatics accompaniment art continuously is at theslow development, the acrobatics accompaniment art rule summary, as well as theaccompaniment plants in the whole performing arts in the tune the artisticindependency not yet widely to pay attention. Therefore, the author choosing Pipaas Suzhou story accompaniment musical instruments is the breakthrough point,utilization research techniques and so on music history, music morphology, ethnology,unifies oneself Pipa performance specialized theory knowledge and the experience,lays aside the Pipa accompaniment in the Suzhou story art whole inspects its statusand the function, analyzes the Pipa accompaniment the historical evolution, theaccompaniment music shape characteristic, the technique characteristic, theaccompaniment technique, the school accompaniment style, the artistic performanceand so on, expected makes a system to the Suzhou story Pipa accompaniment art thetheory summary, can give the storytelling and ballad singing to provide one kindof theory and the practice reference, and expands to the traditional acrobatics artContemporary survival development thinking. Regarding the Suzhou story art research,the material which grasps according to the author looked that, mainly is about Suzhouaspect and so on story history, music shape, school melody of an aria, performanceform research monographs and the article, like the continuous wave "Story at thebeginning of Music Searches", Tao Mou brightly "Storytelling and ballad singingMusic Discusses, the left string Shallowly" "Storytelling and ballad singingDisperses Discusses" "Storytelling and ballad singing Art To discuss Shallowly",Zhu Wei "Suzhou Storytelling and ballad singing Performing arts Inheritance AndDevelopment", Zhou Yunrui "Storytelling and ballad singing at the beginning ofSchool Searches", Zhou Liang "Suzhou Storytelling and ballad singing ArtisticCharacteristic" and so on. The research is on the 50's-80's of last century. Inrecent years there is no new breakthrough. About the Suzhou story accompaniment art research, has in the above monograph and the article concerns, but to theaccompaniment art system research, to the accompaniment in the Suzhou story art wholestatus and the role analysis, and so on all not yet saw to the accompaniment artrule summary and esthetics stratification plane exploration, therefore the hope thisarticle research can demonstrate own systematic characteristic, forms own theoryviewpoint, plays function which offers a few ordinary introductory remarks so thatothers may offer their valuable ideas.This article structure:PrefaceChapter 1 Brief introduction of pipa1. Solo expression2. Prosimetric accompanimentChapter 2 The history of accompaniment of Suzhou TanciChapter 3 The role and functions of pipa1. Subordinate role and accompaniment function2. Subordinate role and performance functionChapter 4 The techniques and means of pipa accompaniment1. The techniques of pipa accompaniment2. The means of pipa accompanimentChapter 5 The mutual relationships in the integrated structure1. Relation with singing2. Relation with sanxian3. Relation with schools and stylesConclusion...