The Application Of Mongolian Picture Graphs In Public Facilities Design

This paper focuses on the delivering of humanistic values and Aesthetic value ofMongolian shown in The design of public facilities by Mongolian patterns. TransformThe morphology of semantic of Mongolian patterns into the design of public art language,and convey it. Inner Mongolia is the largest autonomous regions by ethnic group of China,and it’s traditional patterns has been making a deep impact on various aspects of Modelingart. Public facility that plays a essential role between economic development and publicenvironment is a basic but significant carrier of public art design. We see them everywhere,and they are the perfect combination of mental and practical functions, just because of this,designers treat them as a good carrier to show both mental and physical meanings of theirdesign. So in another way, they are proper objects of studying public art design, especiallyon traditional Chinese patterns in public art.As for the outline of this article, I have some points to clarify. Firstly, the reason ofchoosing the subject The application of Mongolian patterns in public art design will be simplyexplained——Mongolian pattern is the concise graphics language of local culture andapplying it in Mongolia public design has special meaning for local culture development.Then, based on professor Shana Chang’s Achievement and experience, detail methods ofapplying will be discussed. And the methods to combine traditional patterns with Themodern design will be mainly explained according to the art show——Hua Kai Dunhuang.Necessarily, for better understanding of traditional patterns, the detail elements likecomposition features and color preferences will be introduced with Mongolian handcraftsand living goods. Some Mongolian cities including Hohhot, ERDOS, ChiFeng city,XiLinGuoLe and BaLinZuoqi are considered as the practice places to watch and learnsome common technique of expression, like the skills of using embossing, curve and colorin traditional pattern design. What’s more, the summary of deficiency of traditional patternswill be explained as well. Finally, the author tries to think deeply in the integration andcombination of contradiction of traditional art and modern design, and Analyze the reason.Explain the difference between The Abstract beauty in modern design and The figurative beauty in traditional pattern; Deep thinking the difference in the way of thinking betweenTraditional handicraft products producers--Mongolia nationality craftsmen and Thedesigners of modern public facilities——The college graduate students. In the last chapterof the paper, The author summarizes the Practical method of addressing the currentproblems, Looking to the future of development of public art in Inner Mongolia area.