This thesis is based on monster, ghost,god images in the short stories of the Chinese-written Vietnamese works as the research object.Through careful analysis of the thesis, we can know well monster, ghost, god images and their main traits which are characterized in the short stories of the Chinese-written Vietnamese works,and then explore the origin of these images,and finally explore their ideological content and aesthetic characteristics.The full thesis is divided into four chapters.Chapter one analyzes monster,ghost,god images and their main traits which are characterized in the short stories of the Chinese-written Vietnamese works. First through analyzing the novels,the main characters in the short stories of the Chinese-written Vietnamese works can be divided into monster,ghost,god three categories.They are individually analyzed.Because there are too many gods, only the typical ones are analyzed.On this basis,we can sum up their general characteristics:They are more concerned with the Vietnamese customs and historical figures;They have humanity;They are more gentle and less terror.Chapter two explores the origin of monster,ghost,god images in the short stories of the Chinese-written Vietnamese works. By analyzing the common nature of the human cognition and the phenomenon of many people of God on the basis of Vietnamese history, there is a conclusion that their main source are Vietnamese animism and ancestor worship, hero worship.Chapter three explores their ideological content.This section includes three aspects:practical significance,folk cultural significance and religious significance.The main significance is to enhance the Vietnamese people’s national pride,maintenance of Vietnam’s feudal ruling monarch;folk cultural significance of faith largely male king, property aspects of fish and betel; religious significance mainly Confucian concept of filial piety and righteousness,benevolent government outlook "Sanli" concept,Buddhist karma reincarnation,good deeds,Vientiane defeat the idea, Taoism heart rate to desire, life is a dream and other concepts.Chapter four explores their aesthetic characteristics.This section is divided into the "chasing fantasy in magic", "the true thing in magic ", "seeking the good in magic" three aspects. |