| In the movement of mind-emancipating and reflection of social tide after the “Cultural Revolution”, reflection literature played an important role of promoting, which directly promoted the recovery and carrying forward of contemporary Chinese literary realism spirit. Based on the reflection novels in reflection literature as the research object, this paper makes a comprehensive analysis and rereads its narrative discourse paradigm from the aspects of cognition, narration and style, which in order to deepen the cognition and understanding of reflection novels, and tries to discover and summary some certain regularity characteristics in the trend of reflection literature. This paper is divided into three chapters:The first chapter analyzes reflection novels’ narrative paradigm, which mainly embodies the reflection of history and the recognition of people. From the reflection of history, based on the author’s historical feelings, it forms the people view of materialism. At the same time, from the comedy cognition of tragedy history, it forms the evolution history. It has discovery and lost to the recognition of people. To the discovery of people, it mainly reflects the realization of normal people in life, the involving of subjectivity people in spiritual world, and the selection of people in the value of individual and society. People’s lost is mainly showed that, to some extent, human is also the factor of historical symbol, humanity and morality are the power of saving history.The second chapter mainly analyzes reflection novels’ characteristics in narration. In order to describe the historical course better, diversified narrative structures are used in the reflection novels. The surface both has traditional plot structure and dimensional structure of interchanges and interweaved. But no matter how complex and changeable its surface is, its deep structure is always U divine comedy structure. In narrative perspective, it mainly reveals history from personal experienced perspective, which mainly shows the omniscient perspective of witnessing history and the limit perspective of experiencing history.The third chapter mainly explores the stylistic paradigm characteristics of reflection novels. It mainly manifests a direct characteristic under the visual history. It includes tool language, which refers to the selection of revolutionary language, political imagery language and loyalty expression language; and rational reflection language, which mainly manifests question-based reflection language and discussion-based philosophy language. |
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