Study On The Application Of Chinese Traditional "Five Colors Value" Color System In Theanimation

This article selected topic background is mainly around two aspects. On the one hand is in according to the current animation development; In today’s economic globalization, the cultural integration, foreign cartoons poured into Chinese market, especially in Europe, America, Japan and South Korea animation, under the strong impact of domestic animation blindly imitate and malformed development. On the other hand, according to the current national culture is becoming a hot spot of academic research; Colour is animation visual forms an important part of the traditional Chinese concept of "five colours" color system expressed the Chinese cultural attribute, emotional, ethical philosophy. With distinctive national features. We should go deep among the traditional system of traditional color theory and color, profile, and application of domestic animation to, to show the national characteristic and era characteristics of domestic animation. The purpose of this paper is to through the interpretation of the traditional Chinese concept of the "five colours" color system of cultural origin, sorting out the Chinese theory of the "five colours", the cause of formation of theory system, the development vein, deep treasure the past traditional Chinese color system. To further explore the traditional Chinese concept of the "five colours" colour system under the influence of the Chinese habits of color and color psychology and aesthetic thought. The concept of the "five colours" basic connotation of the color and color symbol of lenovo and symbolic, according to the characteristics of the current Chinese animation national style and the problems facing, applied to the animation.The thesis mainly is divided into five most. Basic knowledge of the first part is introduction, this paper expounds the origin of the traditional concept of the "five colours" color system, development, and through the corresponding relationship between five elements and colored paper color system is the basic content of the "five colours", and in view of traditional philosophy thought of the "five colours" colour system of visual symbols and symbolic analysis. By color in the animation performance characteristic, the second part compared with Chinese and western color, to show the uniqueness of the traditional Chinese concept of "five colours" color; In addition, the role of color in the animation. The third part is the key part of this paper, based on the concept of the "five colours" colour is the origin and development of content, summed up the traditional Chinese concept of "five colours" colour system on influence factors of animation, combined with the current Chinese animation on the concept of "five colours" color in the animation concrete forms (ink color, mural painting color, color, drama color, color, paper cutting, shadow play, etc.) color and the application of analysis, summed up the following traditional Chinese concept of "five colours" colour in the application of animation method. The fourth part is to design practice part, mainly analyzes their animated short film "rats steal oil" production process, through the role, scene, props to the traditional concept of "five colours" on modelling idea on colour application, as well as the concrete from the visual aesthetic and image color, so that the short film by a breakthrough from the national form to the spirit.As an important part of Chinese color culture, the "five colours" color system and Chinese traditional culture by blood, by color expresses the Chinese cultural attribute, emotional, ethical philosophy, and fully embodies the Chinese unique wisdom, culture and unique aesthetic idea. Integrating traditional culture inheritance and applied to the contemporary animation, need in the current political cultures of the world’s background, on the basis of inheritance innovation. In the process of watching the audience know the traditional Chinese culture, deepen the understanding of Chinese traditional aesthetic and comprehension, rich aesthetic feeling. So the traditional Chinese concept of "five colours" colour deserves all workers engaged in animation to explore, to innovate, to apply, eventually make Chinese animation from the aspects of visual bring audiences close to the "vision".