Expressions Of Emotion And Form In Niklaus Troxler’s Jazz Posters

Jazz is an important type of music in Europe and America in twentieth Century the rise of theposter design, is also an important part of the design can not be ignored in the history of the twentieth Century, the contemporary artists trying to break the barriers between the two types of art work has not stopped.In this paper, the author attempts to make a detailed analysis of the process of the Swiss poster designer Niklaus Troxler mutual transformation between jazz and poster design, to clarify the blend between graphic design and music. First of all, the author tries to comb Nicholas’s knowledge structure and academic foundation, through his music festival as theorganizer of the experience of design thinking, to explore the basis of quality as a designer with a cross; secondly, the author tries to sort out the modern poster art and aestheticcommonalities in the nature of jazz, pointed out that the emotional and visual form elements ofjazz can maximize the use of the visual presentation of; finally, as the thesis tries to solve important problems, the author from the image of the school, School of design, the aestheticof the outstanding works, analysis and summarize of Mr. Niklaus in the exploration of auditoryand visual art taking the way, try to design method of Niklaus the unique transformation for future generations can learn template.This paper is an open conclusion, for Niklaus, his design is still evolving, the author can not be expected except Vilisau Jazz Festival, Mr. Niklaus will impact what sparks of inspiration in other design fields; as far as the author is concerned, to understand the new field of the plane design circles through Niklaus’s playbill work, learning method transformation among the different types of art, is the biggest harvest.