The Aesthetic Study Of Chinese Picture Book’s Art From In The New Period (From The End Of 1978 To 1989)

In the new period is the awakening and strengthening stage of national life consciousness. The aesthetic creation of Chinese Picture Book’s Art also subject to the strength and spirit of this fountain, so as to the aesthetic reality on the one hand becomes the specific external performance and general expression of contemporary and national potential consciousness and rational pursuit, on the other hand makes the Chinese Picture Book’s Art gain great achievements and in the same period even surpass the fine arts creations of other fine arts types. Compared with that in the ten years period of “cultural revolution”, Chinese Picture Book’s Art in the new period has changed in creative idea, modelling style, creative content, etc., and has formed a unique style with aesthetic characteristics: the creation concept contains a comprehensive and profound introspection aesthetic characteristics which greatly generalizes and deeply refines the topic selection, pattern of manifestation, style characteristic, etc. of Chinese Picture Book’s Art in the new period; in the term of modelling style, it pursues the aesthetic characteristics with diversity, such as beauty of line-“shape by line”, the beauty of volume-“contrast of light and shade”, the beauty of decoration-“plane composition”, etc.; and in the term of creative content, it treats the realistic and historical themes as the focus of aesthetic creation, and forms the real aesthetic characteristic which is compatible with real life and historical truth.In terms of the aesthetics cause analysis of Chinese Picture Book’s Art in the new period: the transformation of social political dilutes the political attribute function of Chinese Picture Book’s Art, and creates a free and relaxed environment for its aesthetic creation; the transformation of economic development meets people’s material needs, at the same time it makes them to meet their spiritual needs by Chinese Picture Book’s Art as well as in the new period lays the material foundation for the development of Chinese Picture Book’s Art; the transformation of social aesthetic context not only changes the features of social ideology, but also subtly influences the now aesthetic appeal and aesthetic choice of the public upon Chinese Picture Book’s Art; the transformation of art activities prompts multiple modelling style and painting language of Chinese Picture Book’s Art; the change of aesthetic creation and aesthetic subjects directly impacts the changes of aesthetic psychology and aesthetic needs of Chinese Picture Book’s Art in the new period, and it is also the most direct aspect on prompting the aesthetics causes of Chinese Picture Book’s Artin the new period; aesthetic concepts such as emphasizing the painting form,appealing to express “person”, emphasizing the artistic authenticity, etc. directly act on the creation of Chinese Picture Book’s Art in the new period, and have a great impact on the aesthetics of creative concept, modelling style and creative content of Chinese Picture Book’s Art in the new period.The purpose of researching the Chinese Picture Book’s Art in the new period mainly lies in three aspects: firstly, analyze from the theoretical level and facilitate the formative aesthetic characteristics and the creative driving reasons of Chinese Picture Book’s Art in a special period or a history section; secondly, from the aesthetic angle of Chinese Picture Book’s Art in the new period, try to find rational thinking endowed with a certain enlightening significance for Chinese Picture Book’s Art which has the same transformation appeal; thirdly, try to put forward the aesthetic thinking for the development of Chinese Picture Book’s Art-developing from the post-Chinese Picture Book’s Art era to declining Chinese Picture Book’s Art, and arouse the people’s attention to Chinese Picture Book’s Art again.