Research On The Tang Poetry And Song Poetry Criticism Of Poetry Talks In Zai Jiu Yuan

The main achievements of Poetry Talks in Zai Jiu Yuan lies in the Tang and Song Poetry Criticism.It criticized the poetry works of the 137 poets in the Tang Dynasty and the 98 poets of Song Dynasty.The criticism is overall, systematic, thorough,which is rare in the ancient poetry criticism history.This paper takes the Tang and Song poetry criticism as the research breakthrough point and Poetry Talks in Zai Jiu Yuan as the research object, trying to establish a system of Tang and Song poetry criticism.This paper mainly includes the following contents:Introduction First, the chapter introduces He Shang and Poetry Talks in Zai Jiu Yuan and then sums up the research status, summarized the "load" of Poetry Talks in Zai Jiu Yuan at home and abroad, finally points our the research ideas and the innovation of this paper.The first chapter This chapter discusses the writing background of Poetry Talks in Zai Jiu Yuan. The first section discusses the Tang poetry criticism writing background, especially criticism of late Tang poems in the background;The second section discusses the Song poetry criticism writing background and have explained the reason for his criticism on Lu you’s poems in the Song dynasty.The second chapter This chapter discusses the main contents of Poetry Talks in Zai Jiu Yuan,which are about Tang and song poetry criticism.The first section discusses the Tang poetry criticism ‘s main contents : First, to generalize, summarize the poetry style and to reveal the development and changes in the law of Tang Dynasty poetry, especially to poetry abnormal sound noise; Second, to inspect the poet, the poet’s time background, personal experience, personality characteristics associated with his poetry works; Third, specific, detailed analysis on the works of poetry, focus on analysis point of view, analysis method.The second section discusses the Song poetry criticism’s main contents: one is put forward the viewpoint of that the Song poetry has three major changes and the whole song poetry criticism activities are centered around this idea; another is that consider Wang Anshi as the greatest poet of the Song Dynasty; The third one is that opposes to the beginning of the Qing Dynasty poetry study Lu You, this also reflects that the song poetry criticism of He Shang has a strong realistic pertinence.The third chapter This chapter discusses the basic principles contained in Tang poetry criticism and Song poetry criticism of Poetry Talks in Zai Jiu Yuan. This chapter points out that He Shang does not belong to Tang poetry school also does not belong to the Song Poetry School. But, he criticized the Tang poetry and Song poetry following four basic principles: quality and discussing poetry independent,anecdotes can not see the signs,attention should be paid to the thrust of creation,Poems should pay attention to the subtle.The forth chapter This chapter discusses the aesthetic standard contained in Tang poetry criticism and Song poetry criticism of Poetry Talks in Zai Jiu Yuan. He sang with "elegance" as Tang poems and song poems criticism ‘s aesthetic standards, the core content is reverted to the elegance. "elegance" criticism standard is the sublimation of the four basic principles of the theory, also is the embodiment of the aesthetic ideal of He Shang。Conclusion,this chapter reviews the research work undertaken by the author, summarizes the achievement of the paper,and summarizes the deficiencies in paper.