Study On Fengxiang Painted Clay Under The Influence Of Regional Culture

In this paper, which is located in the Guanzhong Plain in Shaanxi County of Fengxiang painted clay as the research object, combined with the author’s practical investigation and research, and draw lessons from folk art,art and other theory works extensively, take a comparative analysis of various aspects, summed up the Fengxiang paintedclay intheshape, decoration and color of the main artistic characteristics and the spiritual culture; emphasis on regional culture from the perspective of the Fengxiang region and the whole of Shaanxi Guanzhong Plain, from the cultural ecology theory, the sociology of art related research methods, analysis of Fengxiangpainted clay and the formation of the key links, and many factors including:the origin of Fengxiang painted clayand prehistoric legend; Fengxiang the psychological impact of the local natural geographical environment of Fengxiang painted clay creation; influence of farming culture of Fengxiang painted clay; styling inspired tomb stoneart of Fengxiang painted clay. Mutual penetration between Fengxiang painted clay sculptures and the sister of folk art; the content is the key and core of this paper.At the same time, the paper also proposed some lost and distorted culture of Fengxiang painted clay produced in today’s market economy, and puts forward how to protect Fengxiang painted clay on the basis of development of independent artistic characteristics and cultural spirit, put forward the suggestions and opinions. The author hopes that through the research and analysis, which can make more groups of painted clay Fengxiangculture and art have a more thorough understanding; and if so, the scholars from more diversified perspectives to study the cause of Fengxiang painted, painted clay Fengxiang cultural context Duanbenzhengyuan, make Fengxiang painted clay this folk art treasures to the full, healthy inheritance and continuity, with a greater sense ofwill.