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The Modelling Of Decorative Pattern In The Heilongjiang Province Folk Art And Research

Posted on:2016-07-07Degree:MasterType:Thesis
Country:ChinaCandidate:Y YangFull Text:PDF
GTID:2295330470961571Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Folk art is developing with the progress of human civilization and the product of the breed, its origin can be traced back to ancient conceptions of s. Every nationality in China deduce the different ethnic characteristics of folk art, and modelling is a kind of traditional folk art design is not out of folk belief system integrated with art, it with simple expression to people’s desire for the happiness and the pursuit of, its carries rich cultural connotation of the moral wisdom, people’s life and special way of thinking in images, etc., for us to study the inherent culture, aesthetic temperament and interest of the Chinese nation provided valuable information for the further research of folk art both from the folklore, aesthetics, sociology, anthropology, and even the point of view of pedagogy is of great significance. The detailed discussion in this paper, the folk art of heilongjiang province.Heilongjiang due to geological, ruggedly for farming so farmers is more, simple folkway, compared to other parts of the field with a rapid, dark, plain national characteristics, and keep them completely in the folk art in heilongjiang province and the way of using the originalF aesthetic manufacturing, in line with this principle in the natural life of can see, smell, thought, through the form of unique folk art. In heilongjiang province folk art works of art in respect of myth, praying for a better life, also some simple just to beautiful. Heilongjiang province folk art inspiration originates from life, also was created by labor in the production of the people in the daily life of a form of art, are working people enrichment of material world and spiritual world. Heilongjiang works that are included in the folk art is the inconsistent, but no matter how its shape changes, how style is different, its basic structure is through unique perspective and skill building by folk artists, so, only in the spirit of serious and realistic attitude of observation method, based on the can through the surface of the rich and colorful for his inherent characteristics and laws.
Keywords/Search Tags:Folk art, Ethnic minorities, Custom, Faith, Design
PDF Full Text Request
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