Under The Glaze Painted Porcelain In The Tang Dynasty And Its Comparative Study Of The Relationship

Tang dynasty, is China’s feudal society economy and culture in the again after han historical peak, its region is vast, economy is developed, culture is very prosperity makes it known as the millennium. Ceramic handicraft industry in the tang dynasty reached the unprecedented height, also its one of the important contributions of craftsmanship, is under the glaze painted porcelain craft mature application. From Qiong kiln of sui dynasty to the early stage of blue and white porcelain, again until the mid tang changsha kiln, in this paper, based on the painted porcelain of the three typical representative in the tang dynasty, focusing on the painted porcelain production during this period, as well as fire craft, trying to draw the outline of the development of tang dynasty kiln group of coloured drawing or pattern, and through their reaction was rich and colorful social life. Paper discussed mainly from the following four parts:First chapter "introduction", introduce the basic concept of under glaze porcelain coloured drawing or pattern, the development history and present situation, this paper studies the purpose and significance, research methods and research status, points out that the research significance lies in: clear tang blue source ligou kiln status; Sorting out three painted porcelain kiln in the tang dynasty group, develop the relationship between the inheritance; For the period under the glaze porcelain art forms and contents of coloured drawing or pattern were discussed. The second chapter "under the glaze porcelain production of coloured drawing or pattern" in the tang dynasty, mainly introduces and analyzes the background of the tang dynasty under the glaze porcelain coloured drawing or pattern, at the time the great progress of big development and ceramics. Blue and white porcelain "in the third chapter" county summarized the tang dynasty blue and white porcelain glaze type, modelling craft characteristic, the shape of features, and the characteristics of the porcelain body glaze and the cobalt blue color expression form has made the classification. The fourth chapter "Qiong coloured drawing or pattern under the glaze of Porcelain kiln in the tang dynasty" introduce Qiong kiln glaze painted porcelain decorative design of coloured drawing or pattern and three-color, similarities and differences compared with contemporary ceramic porcelain three-color three-color, introduces its unique, lively porcelain sculpture craft; The fifth chapter "changsha kiln porcelain" under the glaze of coloured drawing or pattern, pointed out that changsha kiln porcelain glaze of coloured drawing or pattern is its rich variety of flowers and birds, plants, is famous for its vivid modelling; Second is its poetry, LianYu famous porcelain, showing the clementi high cultural taste. Chapter 6 "under the glaze painting in tang dynasty kilns to process the differences between the research", respectively to Qiong kiln and changsha kiln, changsha kiln and tang blue(ligou kiln) blue and white porcelain are compared, and the comparison of the content include: embryo glaze burning process of comparison, characteristic comparison, on behalf of artifacts shape contrast comparison, decorative techniques, etc., and also points out the similarities of different kiln mouth. The seventh chapter "conclusion", the content of the paper synoptically in this paper, the main points of view.Though, the study of the tang dynasty under the glaze porcelain coloured drawing or pattern has quite a few books, but the era of the kiln mouth of a comparative study of the relationship are rare, but the study is very necessary; This paper is devoted to discussing the tang dynasty under the glaze porcelain coloured drawing or pattern, at the same time, probe into its inherent link between each other, and compare their similarities and differences, and puts forward his own opinions.