A Comparative Study Of White Ground Black-flower Porcelain Of Gizhou Kiln And Painted Porcekiin-of Jizhou Kiln In Song And Jin Dynasties

In Song Dynasty,the economy was developed,the culture was flourishing,and the handicraft industry reached its peak.A large number of porcelain kilns appeared successively in the north and south,and formed five famous kilns and eight major kiln systems.In the aesthetic system of Song Dynasty,the painted porcelain of Cizhou kiln and Jizhou kiln in the north and South are the most distinctive.The two kilns are often compared because of the appearance of white and black painted porcelain.Through many years of archaeological excavation,it is found that the two kilns have something in common on the painted porcelain.At the end of the Northern Song Dynasty,Nuzhen people came to the Central Plains,confrontation between Song and Jin Dynasty,and migration of population led to the migration of northerners to the south.Some Cizhou kiln workers entered Jiangxi.Jizhou kiln workers created Jizhou kiln painted porcelain by integrating Cizhou kiln technology and decoration technology,and adding their own understanding.This topic first describes the historical origin of underglaze painted porcelain,then takes the background of Song and Jin Dynasty as the breakthrough point,and then analyses the specificity of Cizhou kiln and Jizhou kiln in shape,decoration and craftsmanship,and explores the specific influence of Jizhou kiln on painted porcelain and the innovation of Jizhou kiln.