Talking About The Reason Why The Freehand Brushwork Became The Essential Element Of Chinese Oil Painting

Since Ming and Qing Dynasties, there have nearly 200 years from the western oil painting has been introduced into China. A number of generations of artists discussed and researched, from cognizance to imitation, oil painting in China has got a decent size of extent and the unbelievable impaction. In recent years, the problem of Chinese oil painting focused by the artist nowadays is how to develop and position it. The result is, the rapid development is depends on the fundamental that Chinese oil paint is set up by ethnic culture characters, essentially, the orientation of ourselves. For thousands of years, Chinese ideological awareness emphasizing the harmony and unity between man and nature, the human life and the universe spirit is integrated. The Chinese oil painting and the western oil painting’s cultural background, the thought consciousness is different, as a result, the expression also should be different. To develop Chinese oil painting, the only way is to establish on the basis of the concept of our own culture, advocate the spirit of the Freehand, combined with the spirit of the age and the concept of Chinese and Western painting skillfully entry and fusion, advancing with the times, to create a their own piece of blue sky and fertile soil.This article, firstly, through elaborating artistic characteristics of Chinese painting, knowing about the Chinese artistic concept of freehand and analyzing structure and language of Chinese painting. Secondly,to summarize Chinese oil painting’evolution history,also to analyze and research for the Chinese painting features of freehand, combining with different period’painters work to comment, knowing about the development of Chinese freehand oil painting, its ’ aesthetic orientation and the characteristics of form and language Therefore, we can reassure Freehand Brushwork is the essential element as a result.