Talking About The Reason Why The Freehand Brushwork Became The Essential Element Of Chinese Oil Painting

Since Ming and Qing Dynasties,there have nearly 200 years from the western oil painting has been introduced into China.A number of generations of artists discussed and researched,from cognizance to imitation,oil painting in China has got a decent size of extent and the unbelievable impaction.In recent years,the problem of Chinese oil painting focused by the artist nowadays is how to develop and position it.The result is,the rapid development is depends on the fundamental that Chinese oil paint is set up by ethnic culture characters,essentially,the orientation of ourselves.For thousands of years,Chinese ideological awareness emphasizing the harmony and unity between man and nature,the human life and the universe spirit is integrated.The Chinese oil painting and the western oil painting's cultural background,the thought consciousness is different,as a result,the expression also should be different.To develop Chinese oil painting,the only way is to establish on the basis of the concept of our own culture,advocate the spirit of the Freehand,combined with the spirit of the age and the concept of Chinese and Western painting skillfully entry and fusion,advancing with the times,to create a their own piece of blue sky and fertile soil.This article,firstly,through elaborating artistic characteristics of Chinese painting,knowing about the Chinese artistic concept of freehand and analyzing structure and language of Chinese painting.In the second chapter,the paper analyzes the image of the gods from the paper horse of the nature of the land and sea painting,the paper horse of the Chinese drama,the paper horse and the local paper horse,which is influenced by the original culture.In the third chapter,the author summarizes the artistic characteristics of the horses,the peculiar shapes,the lines are simple and crude,the composition is full of symmetry,the color is festive and the picture fusion is unified.The fourth chapter discusses the fit of the art of inner harbor paper and western modern art.It is hoped that this paper will provide the basis for future research in related fields.