Urat Banner Hot Temple Buddhist Music Culture Gallery Investigation And Study

Tibetan Buddhism, which is the core of Tibetan culture system, is the spiritual pillar of other cultures. After the introduction of Tibetan Buddhism in Mongolia area, because of the differences of regional and national culture, it has formed a distinctive national characteristics with the inherent religion and culture of Mongolia.The Wulatezhongqi seats heat Temple placed in national culture fusion background, through of Wulatezhongqi seats heat temple music culture such a microcosm study, reflecting the Tibetan Buddhism in the Mongolian area the nationalization process and the various features, through the "micro" and "macro" research model, combined with detailed field survey and analysis of the cultural characteristics of Wulatezhongqi seats heat Temple Buddhist music, further interpretation of the music culture of Tibetan Buddhism and Mongolian inherent culture between the fusion phenomenon and multi particle on the hot seat Temple social organizational level and mental level of interpretation. This paper is divided into four chapters, the first chapter introduces the Mongolia Department of Wulatezhongqi and hot seat Wulate history of the temple, the temple and the status of the seats were summarized hot; the second chapter mainly through the investigation of Wulatezhongqi Temple two seats hot ritual activity, detailed analysis from two aspects of Buddhist temple chanting music and instrumental music the form of music, this fusion Mongolia Tibetan Buddhism music from Mongolian Tibetan culture; case investigation in the third chapter in ao’bao ceremony on Tsam and described as an example, which embodied in the specific analysis Tsam programs in music and music and dance characteristics; the fourth chapter nationalization of Wulatezhongqi hot seat temple the Buddhist culture are described, analyzed from the three aspects of music culture, social organization in temple construction and spirit level.