The Narrative Structure Of Korean War Film On State Identification During The 21^st

"Identity" (identity), is a core concept of modern Western philosophy. Althusser believed ideology reflects a relationship between the production of the imagination, it is an individual with a body position in the social order, and to allow individuals to identify with. Christian Metz believes that "identity" so that audience who face their own behavior has become a way. Articles from the concept of national identity start to the 2000s Korean War Films for the study of the text, firstly, the relevant concepts and theories has defined national identity is a person determine which countries, and the country they belong to the mind how a country activity. By analyzing the Korean War Films personified in the characters group portrait, which demonstrates the depths of the Korean War Films, the recognition and condemnation of the war issue, include the dependence on the mother image. Korean War Films identification system established by the reality of legitimacy.Korean War Films in the construction of national identity strategy are breaking and reconciliation spiritual core, traditional folk return, reconstruction of historical memory, single weft of war scenes and polarized image style. The article pointed out that the image behind the 21st century Korean War Films construction of national identity reasons, the war films as an important carrier of the mainstream ideology, it is possible to provide viewers with a subject position. War Films of screen space to provide an imaginary solution to the problem in the field for the audience to life.21 And after the take off of Korean films is the policy and market collusion.Innovation of this paper from the content that the first issue of the Korean War Films Construction of National Identity in the 21st century research. From the research point of view, for the first time with a national identity for the 21st century theoretical construct paths to explore the subject of war movies.