Ancient Greek Bottle Of Mythological Motif Graphical Phenomenon Research

In the history of human art, people have been using maps and texts to disseminate information effectively with their induvial advantages. With the arrival of visual culture turn to images and text Vector art literature and art as the carrier level will undoubtedly receive a different fate. Whether Concept crisis "hegemonic image" caused by literary or visual arts "mechanical eye" on the anxiety, resulting in both literature and the images are no longer the simple, transparent relationship, there has been an unprecedented and paradoxical ambiguity, but also for the development of literature and art of the new life of opportunity in the challenge. Can not be ignored is that human beings did not begin debates on today’s graphic visual culture at different times have different purport and expression, as early as in the ancient Greek society on the rise in the center of the visual image on the highest, because of its unique start-borne provides us with clues initial study visual culture. In fact, whenever there is a major literary trend of change, we can hear a slogan: go back to ancient Greece. This is a common flag, although its camp vary, but certainly highlights the nature of the Oedipus complex.Therefore, for the moment people are anxious image of the times, this paper Motif in Greek mythology the image of the vase painting application as a starting point, and then to expand current relationships, graphic theoretical discussion origin of ancient Greek graphic historic relationship carding help us to examine and understand the situation of today’s graphic relations and the future development of countermeasures. View of this, the mass culture and elite culture to bridge the fairy tale motif in vase-painting an image into a research starting point, drawing on the results of the research related to art and mythology vase painting Motif text, aesthetics, iconography Art acceptance and other sights, as well as creation myths specific strategies and graphic relationship between the two after the conversion and the like to be profound analysis from the perspective of the theoretical level. First, from the origin of the fairy tale motif, classification, selected three levels fully explore the ancient Greek story of the story of the unique nature of God, and then to explore the fairy tale motif lay a solid theoretical foundation in vase painting the image of the study. Secondly, from a different motif myth and fairy tale image of the Motif graphical bottle painting constitutes both explore myths Motif graphical innovation. Chapter III will focus focus on bottle painting fairy tale image of the reason, look for Motif image and text language, religion, political, cultural and other narrative discourse collision sparks, its theoretical meaning is to find text in sociology mechanism Motif image of the deep cultural connotation. The fourth chapter is based on a comparison Horizon, based on the previous study the text fully reflects the central issue of this paper, that is to explore the relationship between graphic fairy tale motif and vase painting between. The conclusion is the sublimation of the entire article theoretical significance of graphic current relationships with reflection and revelation, to further clarify this article as a case study of the theoretical and practical significance. Further reasonable interactive text and graphics in a fairy tale motif image of the historical realities that contribute to the common development of both sides, in order to ease the current tense status quo graphics provide some doctrinal significance considerations.