Huanyan Temple Of Buddhist Art In Liao Dynasty

The huayan Temple of Liao Dynasty Buddhist statues, is the essence of China’s existing in the Liao Dynasty statues, the audience can feel from the Liao Dynasty Buddhist art style, the characteristics of the times and national feelings. Although the Qidan nationality and ethnic mix of long-term together, but not by other ethnic assimilation to lose national characteristics, there is no style characteristics of other nations to imitate blindly, but in constant communication, learning to draw, absorption of the progressive fusion formed with the unique aesthetic’culture of the national art style, nomadic character.The Buddhist statues in the time of the most representative works, is the best field of the Liao Dynasty Buddhist art style.The temple Nevo, Bodhisattva, disciple, Dharma kings, such as the gathered packet shaping, intricate in the meantime, in the whole showing Liao for the Central Plains culture and inherit and carry forward, also showing the characteristics ofLiao Dynasty unique art style. Through to under the Huayan Temple Buddha and Bodhisattva statues of Buddha altar arrangement, physical attitude, rosette shape characteristics of the various aspects carry on the on-the-spot investigation, and the contemporary Fengguo temple and Fogong Temple were compared and analyzed, which summed up the aesthetic characteristics of the Liao Dynasty statue system, It is a combined with the loving nation advocating natural traditional motion created special of the Liao Dynasty Buddhist style, after finished the Buddhist statues and beauty of Hu Huaxiong uniform. This style with a unique character of national grassland, Central Plains culture implicit and nomads bold to conflict with each other, the collision and the fusion, in art is born out of Liao Kegon temple in the world has attracted the attention of the art treasures.