On The Protection Of Chengdu Lacquer Production

On August 28,2004, in the eleventh session of the Standing Committee of the Eleventh National People’s in China, a vote by a< approved the Chinese government joined the United Nations Educational, scientific and Cultural Organization for the protection of intangible cultural heritage of resolution>.2006, Chengdu Song lacquer was included in< the first batch of national non-material cultural heritage protection list>. This shows that the "Chengdu lacquer art" is an outstanding example of Chinese traditional art, and the production of protection is the protection and inheritance of traditional skills.This paper from the perspective of productive protection of intangible cultural heritage, to the UNESCO "protection of the World Intangible Cultural Heritage Convention", "international instruments such as Universal Declaration on cultural diversity> as a starting point, combined with the historical context, the characteristics of the times, social and aesthetic consciousness of mass consumption and other factors, the development history and current situation of Chengdu the lacquer research thorough analysis. At the same time, on the basis of field investigation on the national intangible cultural heritage Song Xiping and she founded" the art workshop "as an example, by Marx’s historical materialism as a guide, with the overall view, the anthropological concepts of the theory of relativity, from sociology. Culture, history, anthropology, folklore research methods, conduct comprehensive interdisciplinary research, reveals the" the workshop "heritage" new workshop ", the content of inheritance" three birds for a moment", The "Chengdu art" interdisciplinary "comprehensive discussion on product innovation.The author thinks that in Chengdu lacquer production protection and art heritage is the core of intangible cultural heritage protection, must adhere to; production is adapt to the social demand, make the economic benefits, essential to maintaining the survival and development of industry and product innovation is the only way to intangible cultural heritage vitality carry forward and promote.