Study On The Concept Of Written Chinese Characters In Calligraphy Creation In Song And Yuan Times New Roman

Song and Yuan is a future an important period in the history of Chinese calligraphy, song meaning wind, the retro trend led to the calligraphy of the mainstream. But is under renovation and retro two thoughts stirring song and Yuan dynasty calligraphy, inevitably under the influence of social and cultural history of the times, written Chinese characters in calligraphy of song and Yuan is endless in the background, and to explore characters over previous generations of ambitious thinking calligraphy, lays the theoretical foundation for large surge of Ming and Qing dynasties. Song and Yuan dynasties, people had recognized the characters as a peculiar aesthetic value of calligraphy, and multi-level exploring, forming a large calligraphy theory of peak marks the beginning from the song and Yuan dynasties, characters entered a period of theory of calligraphy, written Chinese characters in calligraphy art movement which originates. This a period, not only has theory of search, in Yuan generation is appeared has book history Shang first Department theory monographs snow OM Word to, and will it put Yu creation practice, appeared has first of vertical characters works, on in Ming and Qing dynasties yilai of characters creation produced has far-reaching effect, these rich of theory and creation results very worth to in-depth mining research, paper intends from characters calligraphy concept of rheological, Song Yuan on characters calligraphy of theory search and Song Yuan characters calligraphy formed of history culture background starts with, Through analyses of representative of song and Yuan dynasty calligrapher calligraphy, calligraphy style, Song Yuan, to big creative ideas to make a more comprehensive summary of study, with a view to providing useful reference to written Chinese characters in calligraphy creation.