The Research Of Animation Subtype

In the creative world, the classification consciousness of the animation has always been very strong, and it’s classify is also very obvious. The situation is completely different in the academic world. Few of people specialize in the classification of animation because people think some classification that is too obvious to carry out special studies. It is relatively rare for the sub types of animation research. In the past, the classification of animation is divided into painting, paper-cut, clay puppets, etc. Nowadays, distinguishing animation is from the 2D drawing, 3D digital imaging and virtual reality, etc. Of course, there is also the distinction between cinema animation and general TV animation(usually a short film or series), and so on. So far, types of animation rarely from content distinguish, such like the kind of police films, war films, romance, slice of life and so on. This paper study’s animation classification is mainly based on the sentiment, emotion, reason and the comprehensive expression( it is a good combination with sentiment, emotion and reasoning elements, the same as below). These animations can appear in a variety of forms of two-dimensional or three-dimensional animation. It can also appear in the digital imaging, or ink, paper cuts, puppets and other animation. Compared with two-dimensional, three-dimensional animation, they are obviously belonging to the sub type.No matter sentiment, emotion, reason, or comprehensive animation, put it plainly is the creation of the animation has what kind of content features, that is grows perceptibly by the sentiment, or emotional, or other content. Such a classification study closely related to animation creation conception, and it is also closely related to the audience associated. The partition of this classification is based on different content of stories and different communication effects or it means the creation of animation has relationship with communication studies. because of this relationship, the main part of this thesis are 4 chapters. Research is carried out from aesthetic characteristics, creative elements and communication effects of the preliminary discussion. Therefore, the 4 chapter of the paper correspond to the 4 types of sub animation identified in this paper. The angle and range of the research is completely consistent. The only different is that these animations in there own content and expression.Choose these 4 of sub animations, as the main purpose of the study is to make a systematic research distinction between the different content of the animation. On the one hand, it is necessary to distinguish between the three factors of interest, emotion and reason. At the same time also discuss possible to integrate them, and to see how the animation creation can do to enrich its cultural connotation and the audiences’ level.