Inner Mongolia Amorous Feelings Of Oil Painting

oil painting is a very important part of Inner Mongolia amorous feelings of oil painting language study which form distinctive local characteristics in the process of long-term development. In this paper, present Inner Mongolia amorous feelings of Oil painting from creative themes and have a discussion about theme, color performance and the imp ant of relevant factors, which involves the part with examples, to discusses the unique language features of Inner Mongolia amorous feelings of oil painting language study.This paper insists of four parts:The first part, discusses the corresponding development of Inner Mongolia amorous feelings of oil painting language which is the basic parts to study language features of new period oil paintings. The second part expounds the corresponding form of painting language in Inner Mongolia Oil painting. Making creative themes, painting material and color as the research object the unique artistic style and features of visual aspects in Inner Mongolia Oil painting.In addition, this part make a detailed evaluation of the relevant artists’works. The third part, the main content is the cause and corresponding performance of painting language characteristics in Inner Mongolia Oil Painting, which involves folk art, Buddhist murals folk customs and national aesthetic. This part discusses the importance of corresponding cultural contest and regional,in painting language of Inner Mongolia Oil painting. The four part, have a definite explanation of Inner Mongolia Oil Painting’s significance and meaning and promote its have a further development.