Narrative Strategy Study Of The Film Tendency In Literature Works

Since the advant of the film, the relationship between literature and film is becoming more and more closed, they both conflict with and learn from each other in the process of constant interaction, and they developed some similar narrative features. Based on the ontology of literature, and mainly through interdisciplinary study and empirical analysis, this paper focuses on the narrative strategy study of the film tendency in literature works, and is expatiated from three aspects— the narrative content, the narrative form and the narrative thinking. The full text is divided into four chapters.The first chapter focuses on the interactive relationship between literature and film and the development situation of the literature works with film narrative features. The relationship between literature and film is a gradual evolution process. At first, the film studyed from literature and other forms of art. Then, it began to pursue independence and innovation, and gradually get rid of literature. Till now, you can see the invasion and feedback of film on literature. During that time, the literature works with film narrative features arises and gradually develops and becomes mature.The second chapter mainly analysises the narrative strategy of the film tendency in literature works from the aspect of narrative content. First, using different narrative subject can present different emotion, information and ideas. Second, concentrated on the story, the plot and the details can present different narrative effects and realize different narrative purposes.The third chapter mainly analysises the narrative strategy of the film tendency in literature works from the aspect of narrative form. The flexible control of space, time and rhythm gives the text different narrative strength and speed, achieving different narrative effects. The innovation and attemptation in the aspect of structure can inspire unique emotion and convey unique themes.The fourth chapter mainly analysises the narrative strategy of the film tendency in literature works from the aspect of narrative thinking. The aesthetic taste and aesthetic norm of cinematics has entered the creative thinking of writers and the body content of literature works, imperceptibly having a profound impact on the landscape of literature. This chapter discusses about how three kinds of narrative thinking affects and are reflected in the literature narration—thinking of pursuiting surreal experience, thinking of pursuiting aesthetic experience and thinking of pursuiting real-life experience.