Image And Painting

In the process of the development of art, painting as an indispensable important component, in different times have different styles and styles. These present methods have very strong characteristics of the times. The function of painting and the expression of painting language as well as the artist’s thinking is changing with the times. The introduction of Western painting has a hundred years of history, on the one hand is the process of localization on the other hand is the trend of internationalization. From the beginning of the 80’s in the last century, Chinese oil painting has almost re interpreted the western modern art form at a rapid speed. More of these works are "similar in shape" or "like". The "spirit" and rarely take into account two do vivids. A large number of mechanical imitation caused the "bring doctrine" and "pragmatism".Under the current international art environment, frame painting is no longer mainstay of traditional art, even has a trend of being marginalized, but there are still many artists through different ways on the canvas unremitting attempts, and hold this position makes easel painting continued to in various forms of art with its own unique language style of continuation. One of the representative artists to the number of German painter Gerhard Richter, mr..Richter’s artistic exploration has been carried out in different styles and styles. No matter what kind of expressive language, tools, materials, works of art, the goal is to eventually accurately convey artists artistic ideas, and give people a spiritual touch and visual impact, such a work of art to have the real artistic value. For artists to have a correct understanding of themselves and their own era, in order to create a new work of art and personality. The first chapter is background of the German painter Gerhard-Richter growing and learning life and subjected to impact of a new way of thinking and experience from the GDR period art enlightenment to the university system of art learning system is introduced, and to the west of Germany. Through the background analysis to explore the art of Richter in the later paintings. Variability in the second chapter, through the analysis of Richter "photo painting formation and development as well as the theme of variability and Richter’s painting style of painting form, to elaborate painting of function change and image and painting of the relationship," Photo Painting "in the new painting language use. The third chapter is about the innovation of Chinese oil painting in the absence of systematic analysis to find out the problem of "focus" and the key needs to be resolved. The fourth chapter is the interpretation of Richter’s far-reaching influence on Contemporary Chinese frame on the application of image language in painting produced, and combined with the contemporary artists attempt to art and to explore the frame painting in Contemporary Chinese way and make a deeper thinking.