On Tibet Bamboo Flute Art

Subject of this thesis is the art of Tibet flute art, flute refers to cross from the mainland introduced into Tibet blow edges of small wind instrument. Flute in the mainland is often called bamboo flute, bamboo flute and is divided into south flute and north flute. South flute mainly popular in southern China, north flute mainly spread in northern China.Through field visits, literature review and analysis, the study of the historical origins of fife and traditional Tibetan music and flute using contemporary art in the development of a more comprehensive,systematic exposition. Paper consists of four parts. The first chapter of the history of Tibet flute. Central Mainland and focused descriptions of historical Tibetan flute and flute Tibetan and Chinese historical described,and a simple description of the type and distribution of traditional Tibetan flute. Fife and Tibet by native flute(clarinet) comparison, discusses the differences between flute and clarinet. The second chapter in Tibet’s incoming flute. Mainly in historical perspective described flute in each period passed, and explore cultural background flute at different stages of development. The third chapter discusses the use of flute in the Modern Tibetan folk music. Music ontology analysis based on the flute in the capsular Mary, heap harmonic music playing features and playing style in-depth analysis, description. Further description of flute used in other folk art on the basis of the fieldwork, which reflects the use of flute in Tibet. The fourth chapter discusses the development of contemporary Tibetan flute. In modern flute discusses the inheritance and development.This chapter covers the national music culture, religion, music as well as contemporary music culture flute instrument usage, it elaborated flute important role and significance in Tibetan and Chinese Music Exchange and the National Association.