Study On Problems Of Musical Aesthetics For The First Season Of “The Voice Of China”

Is there aesthetic rule in the contemporary popular music in China on earth? What is the influence of pop music on us? This is a difficult problem that has not yet been solved in the current music aesthetics and criticism theory, combining perceptual experience and rational cognition. The fuzziness of perceptual aesthetic experience and rational aesthetic perception is an important reason for the lack of the aesthetic theory of popular music.In the current situation of the existing form, we take a more representative of the“First Season of The Voice of China” as the breakthrough point to carry out the study.In the program content of individual case, the comments of the judges can reflect the aesthetic rule of professional musician in the field of popular music. Therefore,comments of the judges are sort, summarized, evolved, compared and analyzed and empirical materials are obtained in combination with specific musical sound references,looking for the support of cultural history, aesthetics and musicology and other theory at the same time for support to uncover the aesthetic cognition rule of people today for popular music.This study includes introduction, three chapters, conclusion and appendix.The appendix contains the reviews summarized preliminarily by the author and a variety of statistical sources. The study is carried out based on these materials and documents.The first chapter mainly analyzes the comments of the judges. First of all, by looking up the data and statistical analysis on the sound, it is proved that the object selected by the author and analysis on comments are valid and legal. Secondly, specific aesthetic rules of music are deduced from the mass of comments. These aesthetic rules involve both personal and common features.The second chapter provides concrete analysis on how this kind of popular music program like the “First Season of The Voice of China” occurs in the history and the reason why it is deeply affected by the masses from two aspects of history and form.The form mainly includes specific analysis on melody factors and singing factors.In response to the question what is the influence of pop music on us, the third chapter will discuss it. It explains the negative and positive meaning for us. Negative aspect mainly includes the problem of the personalization and passive consumption of popular music. The positive aspect mainly refers to the positive effect that it can promote and guide the music understanding and education to a certain extent.By summarizing the aesthetic cognition of the judges and the musical form of the individual case and discussing the function of popular music, it believes that the contemporary popular music in China has the aesthetic rule in this study.