The Aesthetic Pursuit Of Contradictory Narration From Liu Zhenyun’s Novels

LiuZhenyun is an exploiting author. Throughout his writing, after the writing of the real life, he will focus on history, it exhibited a densely dark and dim hometown history. In his life of the narrative tendency, record life in the complicated contradictions, with its own unique aesthetic style reveals the real life and the life history of many problems, expressed anxiety to the reality and the history of despair. This research treats the Liu Zhenyun’s novels as the research objectives, the main analysis about the aesthetic pursuit of contradictory narration is conducted as the following sections in this paper:The first chapter, on the basis of the overall interpretation of the text, the main contradiction in the novel set of macro integration. From the human and human, human and social environment, people and their own three layers in the face of the contradictions in the text classification, sort out the manifestations of these contradictions and the reasons for the. The conflicts in life in a variety of forms, such as achievement and loss, surface and interior, dream and reality. Liu Zhenyun is directly drawn from real life, he went to the trouble of mining in the life of the conflict, the novel shows a sense of reality. A large number of contradictions and conflicts in a novels is not only to promote the development of the plot but also to better express the theme of the novels, the contradictions constitute the main content of the novels.The second chapter, from the contradiction in the novels of the setting to analyze Liu Zhenyun’s way of dealing with contradictions and attitude. He accumulates more and more contradictions, promotes the tiny conflicts into huge ones and applies the unsolved contradictions into the latest ones. In the direction of the development of the contradiction, Liu Zhenyun avoid the two poles of the model, to dilute the sharp conflict, to find a more close to the daily life of the law of the natural state. When coping with the results of contradictions, he often respond in a vague attitude, chooses to be a onlooker, hides the subjective value judgment and deliberately avoided conflict to deal with serious, joking tone of the original fierce conflicts develop in the direction toward the absurd, all the results in the unexpected and reasonable.The third chapter, is the focus of this thesis, expounds the aesthetic significance of Liu Zhenyun’s works "contradictory narration". Mainly from the image building, plot structure, emotional tendency and value position of several aspects. Liu Zhenyun to civilian perspective characterization, changed during the " Seventeen Years’ Literature" respected "hero narrative", The characters almost stemmed from the normal people in life, they are willing to be mediocre completely yield to pressure environment, performance in conflicts in the ordinary people can not afford to struggle the status quo. The author gave up the structure of the kind of tailored, life will faithfully together, the story mostly launches a flat, fragmented and scattered forms, ease conflict. The development of the plot is often full of randomness, development contradictions also tend to be full of chance, formed a unique narrative style. Life in the complexity of the contradictions also disrupt the Liu Zhenyun’s feelings for home, home is his emotional trigger point, most of the writing material comes in his hometown, but his affection for hometown is always refused to more than accept, deliberately get rid of aristocratic returning disease. In all the works of Liu Zhenyun source are derived from life, pay attention to reduction of life’s true, reflects the return to the life world, the true aesthetic pursuit, and to break the life level, digging the hidden human nature, expressing his return the value of the position of human nature.