Research In The Situation And Countermeasures Of Painting Broker Market In Tianjin

The report of the 18 th Party Congress in 2012 officially proposed to promote “cultural industry into the pillar industry of national economy”, and then how to make cultural industry stand out among various industries in China, which again draws the attention and importance from the state, is worth of our in-depth research. Since 2008, China has developed rapidly in economy and been greatly enriched in materials, under the background of which it is necessary, essential and immediate to develop cultural undertaking. China has a cultural history of 5,000 years, which is what other countries and nations in the world don't have, and there is a lot of resource superiority artists can dig and create to make their own cultural language and create exquisite artistic works.Under the promotion of capital operation, the calligraphy and painting market of China increases exponentially, thus indirectly promoting economic development to become one of national pillar industries gradually, but the rapid development of calligraphy and painting market brings numerous bad problems, such as overflow of fakes, and petty dealers‘ and immoral galleries' and auction companies' pushing of fakes to art market one after another for interest, which discourages most new buyers from calligraphy and painting market. For example, an artist will create lots of works for economic interest, resulting in the repeated appearance of a same theme, which although can increase the artist's economic value in a short term, it will result in the reduction in the quality of work in the long run, then the painters with great achievements will be deprived of artistic value in their painting on the contrary, which also directly affects the education of students and numerous lovers' aesthetic fatigue, and even bring about the fluctuation of market economy a few years later. For another example, the academic contradiction between painters and art institutions. The academic viewpoint between painters and interest conflict with institutions become increasingly fierce, and problems coming along with it also become prominent, then the industry of broker also emerges with it. With its own characteristics, the market of calligraphy and painting broker of Tianjin differs from that in other cities, but also has a series of present problems including lack of reserve of talent, no specific laws and regulations, great difference in personnel quality and large amount of forgers. However, as the cultural center of China, Beijing contains the cultural essence of all parts of the country, and owns many mature artistic regions and relatively active auction markets. With primary market and secondary market supplementing each other, its academic strength also has international advantages. Even though both Tianjin market and Beijing market have their own merits, no matter it is Beijing or Tianjin, economic development is always the cornerstone for he development of calligraphy and painting, and the harmonious development of commercial operation and academy is the key existing problem. The development of calligraphy and painting in Tianjin must seize the development opportunities of Tianjin, take full use of the advantages of Tianjin Free Trade Zone, adjust policies properly through the guidance of the government, improve the leaks in art institutions' operation by the supervision and service of trade association, meet the development demand of market through the education and publicity to practitioners, and enhance the competitiveness of calligraphy and painting market through financial innovation so that the calligraphy and painting brokers of Tianjin can develop healthily.