Freehand Brushwork In Traditional Chinese Realistic Painting Figure Painting Creation Tendency In Contemporary China

In the theory of traditional Chinese painting,the concept of brushwork and freehand is always two.The former is meticulous with the pen,striving to reproduce the texture and appearance of the object vividly.And the latter used the pen to free,advocate the appearance to take the god,directly expresses the painter's understanding and the feeling of the spirit temperament of the painted object.The two types of paintings around their own aesthetic ideal and performance demands,in the long historical development of the total respectively formed the perfect technique system,Chinese traditional painting history bimodal confrontation of two camps.However,since the western painting techniques gradually introduced into our country and national traditional painting techniques of the system to form an organic integration,since Chinese claborate-style painting,especially the fine brushwork figure painting has increasingly presented the tendency of freehand brushwork.This is particularly evident in the meticulous figure painting by Chinese contemporary artists.It is worth noting that the contemporary Chinese painting figure painting of freehand brushwork in traditional Chinese painting,and no traditional fine brushwork and freehand brushwork in traditional Chinese painting two types of techniques will be integrated and caused by workers with write,but in the culture of traditional Chinese claborate-style painting spirit and aesthetic ideal as the guidance,to dialectical sublation,the western painting techniques to choose and use,formed a kind of can fully reveal the artist's inner spiritual temperament and artistic personality creation value orientation.Based on the value orientation of this kind of writing,Chinese contemporary meticulous figure painting is constructing a new technique system.Therefore,the author select freehand brushwork in traditional Chinese realistic painting figure painting creation tendency in contemporary China as the research object,to rely on for contemporary fine brushwork figure painting creation the artistic features of the case analysis,to further explore the cause of China's contemporary fine brushwork figure painting expression tendency,and look forward to the future prospects of the Chinese fine brushwork figure painting freehand brushwork in traditional Chinese painting.The research is divided into six parts.The introduction is about the background,significance,literature review,research methods and research contents.The first chapter is the summary of the dialectical relationship between Meticulous Brushwork and freehand brushwork.The second chapter is the analysis of the necessary conditions for the trend and freehand brushwork of contemporary Chinese figure painting,mainly from the beginning of reform and opening up,the beginning of reform and opening up and the three periods after twenty-first Century,showing the background,the form and the development course of the contemporary Chinese figure painting in each stage.The third chapter is the analysis of the reasons for the freehand brushwork of contemporary Chinese figure painting,including the blending of Chinese and Western paintings and the work style painting,the era of advocating the personality is the art of the times,and the public's acceptance and appreciation of the pluralistic style of the works.The fourth chapter is the study of freehand brushwork in the creation of contemporary Chinese figure painting,including the three aspects of the freehand brushwork embodied in the use of lines,the freehand nature displayed in the use of color,and the freehand nature of the image.The conclusion is a summary of the full text.