| The writing of this paper in two aspects, one is the "bone" as the breakthrough point to integrate Chinese culture of calligraphy art in five thousand flow; The second is the knowledge of body this life, inheritance and use of the Chinese context. Focus on "bone" due to Mr Zhang Zu An Shu Lun "books bone beginning of qing dynasty", "qing" has been the author to write, or even the pursuit of life. Nature, want to read the "bone" in the book of the decisive role became the obsession of the heart, such as "bone" to the human body also essential. So, back to the everlasting topic- art and convergence.Starting from writing to the definition of "bone" is a life form associated with flesh and blood, this is the full text discusses the tone of "bones", and "bone" in the development of calligraphy aesthetic category to show this definition consensus in calligraphy. Triggering the deep aesthetic ideal of "bone" thinking, nature and spirits as the dialectical unification of aesthetic. And to the gallery today acting on practitioners Zhang Zu An Sir Model for the study of "ode to shimen" for, the qing ancient qi, backbone to the writing of the final free aesthetic target.Calligraphy writing outside of accomplishment in the end. "Bone" is the content of bone, is a book of bone, especially of bone. |
