The Research Of "God Real Socialist" In Yan Lianke's Novels

This thesis is divided into four parts, the introduction part relates to the rural novels by Yan Lianke uniqueness, research status and research value, and further puts forward the innovation of my thesis, based on regression of the indigenous culture of Yan Lianke's interpretation. In the first chapter, I put forward the author's creation concept, which is based on the experience of Yan Lianke's development, which is "the doctrine of God", which is mainly from three aspects: theory origin, connotation definition and writing attitude. The second chapter discusses the novels of Yan Lianke"divinity" writing, in the works under the guidance of God "realism" theory mainly deals with the characteristics of "divinity" is under the guidance of the author in the conception of "God realism" literature what is written. Yan Lianke in order to express his deep understanding of the reality of society, within the scope of the definition of mainstream ideology, has been in the novel content and form of new exploration. On the basis of absorbing foreign literary works, the writer fully expresses the reality of the "folk" culture in Chinese traditional folk society, and the author is influenced by the literature of the Bible. Therefore, in the author's works, readers can capture the local divinity, Latin American magic color, the taste of religious divinity, and the writer is an alternative interpretation of the reality through the form of absurdity. The first section of this chapter "pretend ignorance" emotional expression, mainly through rural society gave birth to the local deity of dead narrative, fool narrative way divine characteristics; the second section individualized narrative reshape historical reality,through the deconstruction of history, historical narrative of the individual. The third section "divinity" features the "Modernity" and the writing psychology of"Modernity". Chapter three personalized narration, the author more is in consideration of the problems of how to write, that is, by what kind of art to show the real God doctrine ", Yan Lianke novels language and structure of new exploration. The real performance of the first festival special language to strengthen the "divinity" writing dialect can reflect the local folk culture, but also can reflect the group thought the whole, the revolutionary discourse reflects a special historical period of the social status, is the collective unconscious. Second section of the dream and the reality of theblend to add a mysterious atmosphere, the work of the dream and the reality of the meeting to promote the development of the story, but also the reality of the mapping.In the third section, stylistic structure formed a unique aesthetic style, the stylistic exploration, such as "cable source", "Xu said", "revolution", "the Bible" expand the form of novels, but also the achievements of the style has its own identity.Overall view, the three chapters to God "realism" as the core, respectively, to "what" and "what to write" and "how to write" the internal logic of the series entire.Put Yan Lianke's "God" into the flow of literary and artistic trends of thought,highlighting the author's inheritance of tradition and folk, and discarding the foreign thoughts, so as to highlight the uniqueness of the author's writing. In the process of discussion, the facile relates to the change of the trend of thought in literature and art,and the modernization of Chinese literature, literature itself in the dual role of "internal" and "external" development path, to reveal the origin of the current situation of contemporary literature, also in Yan Lianke's Rural series as the main analysis object avoid generalities, and intend to explore the possibility of Chinese literature and world literature dialogue.